Saturday, September 24, 2011

#BookReview: Barbed Wire and Roses by Peter Yeldham

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It was exciting to be on our way at last...but we were such innocents. We had no idea of the hell that lay ahead. Even if we had known, what could we have done about it?

They were our golden youth, seeking adventure on foreign battlefields. The First World War in 1914, that everyone said would be over by Christmas, and Stephen Conway rushes to enlist in the belief he should fight for King and Empire. Leaving behind a new wife and a baby on the way, he soon finds himself in the trenches of Gallipoli. Four horrific years later, Stephen is the only survivor of his platoon, shellshocked and disillusioned, and during the heat of battle on the bloodstained fields of France, he mysteriously disappears.

Stephen's ultimate fate is still a mystery when more than eighty years later his grandson Patrick finds a diary that leads him to Britain and France on a journey during which he unexpectedly finds love, and the truth about his grandfathers's fate that is even stranger and more shocking that he imagined.
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Rating: ★ ★ ★ ★ ★   |   Obtained from: Local Library   |   Read: September 15, 2011 
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I’m not kidding; I have started this review at least a dozen times. I just don’t know where to begin. Barbed Wire and Roses is such a unique reading experience that I don’t think I am capable of composing anything that would do it justice.

The book is really two story lines. Stephen Conway is a young man who, like so many in times of war, is swept up by romantic notions of victory and heroism on the battlefield. He volunteers for the army in the early weeks of WWI, leaving behind a new wife and the child she unknowingly carries. As the weeks turn into months and the months into years, Stephen loses his naivety, his friends and eventually his mind under constant bombardment of the enemy.

Two generations later, Stephen’s grandson is plagued with questions regarding the war diary of a man he never knew. Seeking answers, Patrick and his sister scour the internet but can’t find a single scrap of evidence to prove Stephen Conway died in 1918 as family legend suggests. Bedeviled by the unknown, Patrick begins a journey that will lead him half way around the world in search of answers.

Stephen’s is one of the most intriguing war stories I have ever read. He is without doubt a hero but he is by no means the stereotypical personification one usually encounters. I would try to explain but I think Patrick Conway says it best, “[Stephen] is scared shitless most of the time.” Stephen’s struggle with PTSD struck a chord with me. A former military wife, I remember the pre-homecoming meetings where spouses were coached on recognizing the symptoms. A few weeks after my ex-husband’s return a marine on the same base blew his brains out after taking the life of his spouse. Living in a time and place where the disorder is considered very real I found it hard to comprehend Stephen’s situation. These men were mentally disturbed by their experiences yet many were given white feathers and still more were diagnosed fit to return to battle. It is an alarming concept flawlessly recreated under Yeldham’s pen.

Patrick’s narrative was decidedly less moving but it is not without merit. I had little sympathy for the character but I felt his experience showcased a different aspect of Yeldham’s talent. Every character Patrick encounters, no matter how insignificant has a distinct personality. Not only that, they are without exception multidimensional! Off the top of my head I can’t think of another author who has exerted so much effort in regard to the supporting cast.

The history itself captivated my attention. The last American doughboy died in February of this year fighting for a national memorial to honor the thousands of men who served in the conflict. That fact alone should tell you how much weight WWI carries in this part of the world. Gallipoli, the Somme, Ypres; I am humbled to admit these were little more than names in history book prior to my reading. More than that, I was entirely ignorant of Australia’s involvement in the Great War. Needless to say I spent a fair amount of time referencing the events. Yeldham’s work is entertaining but also fascinating even for those whose knowledge extends only to a few place names and the required background reading for All Quiet on the Western Front.        
                                                                                                                 
Yeldham’s story is a beautiful tribute to the Lost Generation, an intensely moving novel that will haunt the reader long after the final page. 

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We came here too young, too sure of ourselves. We'd begun to believe we were special, like the British papers said. Even their generals praised us, which should've been a warning. Generals sit in safety far behind the lines, they play their games of war and never count the cost. Look, we're as shat-scared as everybody. And why not? Gallipoli was bad, but this is a bloody carnage. There is a dreadful feeling of utter hopelessness here, and we play a game of tag with death every hour of the day.
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Sunday, September 11, 2011

#BookReview: My Heart Remembers by Kim Vogel Sawyer

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United by blood, divided by time, will three orphan train siblings ever find one another again? Orphaned in a tenement fire, three Irish-immigrant children are sent to Missouri to be adopted. Despite eight-year-old Maelle's desperate attempts to keep her siblings together, each child is taken by a different family. Yet Maelle vows that she will never stop searching for her brother and sister... and that they will be together one day in the future. Seventeen years later, Maelle is still searching. But the years have washed away her hope... and her memories. What are Mattie and Molly doing now? Where has life taken them? Will she ever see her brother and sister again?


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Rating: ★ ★ ★ ☆ ☆   |   Obtained from: Personal Kindle Library   |   Read: September 5, 2011
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Sawyer covers a lot of ground in My Heart Remembers. Immigration, Ellis Island, crowded tenements, sweat shops, foundling asylums, orphan trains, early photography and religion. Against this backdrop she relates the story of three siblings, separated by tragedy and united ­by a common cause.

The Gallagher kids survive terrible misfortune only to be divided by circumstance. Left in an orphan asylum, the siblings are selected for relocation, unwittingly becoming 3 of the estimated 200,000 homeless youngsters who travelled west in search of families. Children were often separated from their siblings during the process and since there were no regulations, interested parties were allowed to take children in as anything from indentured servants to family members. Sawyer’s use of premise was reasonably moving.

The truly impressive aspect of the novel was Sawyer's incorporation of child labor. Young children were an integral part of the industrial revolution and an immensely popular source of cheap labor. Petey is a member of the supporting cast and the most captivating character in the entire book. His plight tugs at the heartstrings from the abuse he suffers as a shop boy to the horrific accident that leaves him crippled with an uncertain future. 

Unfortunately, integration of historic fact doesn’t make a book. The characters are flat out boring. One dimensional characters make great villains but poor protagonists. The Gallaghers needed to experience internal conflict and growth. As it is we see them primarily as shallow beings wallowing in their own self-pity. Matthew eventually stands up for himself but as we were denied the narrative of his adolescence, the moment doesn’t pack much punch. Similar issues plague Sawyer in her characterization of Maelle and Molly.

Having been driven from the church by intolerance, I have no appreciation for statements such as “Given Isabelle’s cold treatment, she wouldn’t have taken the other woman as a Christian.” Being a Christian doesn’t make you a good person any more than standing in a garage makes you a car. Self-reverence and exaltation violate the base teachings of the Bible and frankly make me sick. Bad form.

A bland story with an all too convenient conclusion. Touching but too fluffy for my tastes.

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Had she ever considered how fortunate-how spoiled-she was while growing up? These children made her view the world in a different way, and she wasn't sure she liked it.
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Saturday, September 10, 2011

#BookReview: The Log-Cabin Lady by Anonymous

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The Log Cabin Lady is the autobiography of a woman who leaves behind a simple life as a pioneer to enter the privileged and alien world of the rich. Feeling isolated and out of place, she struggles to learn the rules and etiquette that her in-laws expect her to follow. To make matters worse, her husband is posted to England and the Log Cabin Lady finds herself grappling with the quirks of British manners and royal protocol. And then come the horrors of the Great War and, through the eyes of the Log Cabin Lady, we watch as the world begins to change. This is a story about overcoming social barriers, developing self-confidence and holding on to the beliefs and values that make us who we are. Written in 1922, this anonymous autobiography spans the period from around 1880 (when the author was aged about three) on to 1897 and being presented at court to Queen Victoria in her diamond jubilee year, through to the long years of the Great War and its aftermath.
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Rating: ★ ★ ★ ☆ ☆   |   Obtained from: Personal Kindle Library   |   Read: September 5, 2011
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The writing itself is repetitive and erratic, altogether amateurish but there is much value in the content. The Log Cabin Lady is the intriguing memoir of a woman who witnessed the dawn of the 20th century. The author, an anonymous society wife, relates her personal history from her humble upbringing to the conflict of 1914. The book leaves much to be desired but offers fascinating insight to the ideas and concerns of a woman who grew up before the suffrage movement as well as the fierce pride the author had for America and her people.

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There are twenty million homes in America. Only eight per cent of these have servants in them. In the other ninety-two per cent the women do their own housework; bring up their own children, and take an active part in the life and growth of America. They are the people who help make this country the great nation that it is.
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Friday, September 9, 2011

#BookReview: Love from the Ashes by Denise A. Agnew

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During the 1906 San Francisco earthquake and fire, privileged Grace Wyne and Irish immigrant Nathaniel Dempsey fall in love. They seek a new life together, but society, her family, and nature itself, wage war against them. Their forbidden love is a sure formula for disaster.





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Rating: ★ ★ ★ ☆ ☆   |   Obtained from: Personal Kindle Library   |   Read: September 6, 2011
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Agnew doesn’t have a firm grasp on historic fiction, but she knows how to write a love scene. Perhaps I am still reeling from The Captive Queen, but I felt the incident in the library was beautifully executed even if it did bear a certain resemblance to Atonement.

Grace wasn't my favorite leading lady. She starts strong but quickly loses her momentum. Her drive dissipates as soon as Nate enters her life. Grace and Mary attend suffragette events throughout the book yet the reader is never privy to the goings on of these meetings. This is what I mean when I say that Agnew doesn’t have a great foothold in the genre. The suffragettes weren’t weak willed ladies who sat around sipping tea. The author had the opportunity to mold Grace in the image of these strong, independent, determined women and she let it slip through her fingers. And what is with the nightmares of burning mansions and buildings pitching from their foundations? Was she supposed to be a clairvoyant?

I am going to digress a moment so please bear with me. I spent the better part of the last twenty years living on the San Andreas fault. I’ve experienced a fair number of quakes, nothing compared to the 1906 one of course but Northridge wasn’t exactly a walk in the park. It scared the shit out of me. Smaller quakes made the walls shake and two sent my dog running to my daughter’s side but most of the time, you can’t feel the damned things.

Now back to Love from the Ashes. Agnew includes a handful of quakes prior to the big one. Thus far I have been unable to confirm or discredit their occurrence. I would be upset if I found that Agnew over exaggerated or completely fabricated these events for the purpose of her story. California has enough problems without people thinking the world is about to open up beneath their feet. If they did happen to the degree Agnew described I am upset with her for giving them so much weight in the story. By the morning of April 18th I was bored with the idea. Too much exposure to it underplayed impact of the moment. I was yawning when I should have been shaking in my boots.

I wouldn’t judge it so harshly if I didn’t think Agnew was capable of more. A decent read but lacking in places.

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Lust. It had to be lust. Since he'd started working in the Wyne household he hadn't visited Flynn's House of Pleasures down in the Slot. He just couldn't. Somehow it didn't feel right. And it had nothing to do with being a Catholic.
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Saturday, September 3, 2011

#BookReview: The Captive Queen by Alison Weir

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It is the year 1152 and a beautiful woman of thirty, attended by only a small armed escort, is riding like the wind southwards through what is now France, leaving behind her crown, her two young daughters and a shattered marriage to Louis of France, who had been more like a monk than a king, and certainly not much of a lover. This woman is Eleanor, Duchess of Aquitaine, and her sole purpose now is to return to her vast duchy and marry the man she loves, Henry Plantagenet, a man destined for greatness as King of England. Theirs is a union founded on lust which will create a great empire stretching from the wilds of Scotland to the Pyrenees. It will also create the devil's brood of Plantagenets - including Richard Cœur de Lion and King John - and the most notoriously vicious marriage in history.

The Captive Queen is a novel on the grand scale, an epic subject for Alison Weir. It tells of the making of nations, and of passionate conflicts: between Henry II and Thomas Becket, his closest friend who is murdered in Canterbury Cathedral on his orders; between Eleanor and Henry's formidable mother Matilda; between father and sons, as Henry's children take up arms against him; and finally between Henry and Eleanor herself.
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Rating: ★ ☆ ☆ ☆ ☆   |   Obtained from: Local Library   |   Read: August 28, 2011
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NOTE: This review contains spoilers. Please take heed and proceed at your own risk. 

Henry II and his wife Eleonora
What makes a book a memorable reading experience? For me it comes down to three things: a good plot, interesting characters and compelling writing. In reading the back cover, Weir’s The Captive Queen appeared to have two of the three.

Eleanor is a choice candidate for leading lady. I've admired her since I first discovered her story some years ago. So much so that her name was one of the first I considered when naming my daughter. All things considered, it is fair to say I have a well-established preconception of her character. I wish I could say I was happy with Weir's version but I'm afraid our ideas clashed considerably.

Plot is the easy one here. The story was already written and since Weir previously published a nonfiction biography on Eleanor, I am willing to bet she didn’t look far for resources. Eleanor’s is a story worth telling. Regrettably, this detail is the only thing the author and I agree on.

Randy was not a word I associated with Eleanor until I read The Captive Queen. Maybe it was the moment Eleanor "cherished [Henry's member] in both hands." Maybe it was Eleanor's distress over sharing a bed as she would be unable to masturbate with an audience. Maybe it was the phrase “well-endowed stallion.” It doesn't really matter; I was disgusted by the tastelessly pornographic imagery. I don't doubt Eleanor understood the power of feminine sexuality but I take issue with the vulgarity of the Weir's depiction. I simply can't condone her debasing of Eleanor's character to that of a licentious doxy. She obviously had an active sex life and one would assume she welcomed the attention as she had a rather large number of children but that doesn't mean her sole motivation was a sea of raging hormones.

The majority of the supporting cast is undeveloped, not to be confused with underdeveloped, just plain undeveloped. Look at Petronilla. She has one scene when she comes to her sister's court, disappears from the text for fourteen years, has a second scene during John's birth and shortly thereafter, we learn she drank herself to death. Were we readers supposed to care? Eleanor’s sibling isn’t the only character to suffer from Weir’s negligence. Eleanor's eleven children share only a handful of scenes with their mother but rarely utter more than a sentence or two.

I’ve done a fair amount of ranting thus far but I am not above giving credit where it is due. Annoying and flawed though he is, Weir's Henry II is a well-rounded personality who is all too easy to hate. Again, my opinions were not in line with the author's but I feel Weir succeeded in relating her version of Henry. The reader actually experiences the death of his father, his wild tantrums, his relationship with his wife and his love affair with Rosamund which allows us to really understand the character as Weir perceived him. Eleanor does not enjoy the same treatment. The reader is told what to think of Henry's queen as we rarely get into her head outside the bedroom.

The style of writing leaves much to be desired. The first forty-two chapters are mind-numbingly slow. Weir should have summed up the events in a series of flashbacks. This technique would have cut the amount of content considerably but it would have been more appropriate for her abilities. Weir's relaying of facts is wonderful for nonfiction but it makes for very poor storytelling. She sabotaged her own work by biting off more than she could chew.

I firmly believe it is possible to write a compelling and entertaining novel of Eleanor's life, Weir just wasn't the author to do it. Perhaps I will read Penman's novels while I await the publication of Chadwick's books. Readers who are unfamiliar with Eleanor of Aquitaine may find value in The Captive Queen but I would advise those who are well acquainted with her story to steer clear.

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None of us know exactly what lies beyond the door to eternity, but if Our Lord is kind, our loved ones will be waiting there in his tender care and we will be in a paradise far beyond our earthly imaginings.
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#BookReview: Clockwork Angel by Cassandra Clare

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In a time when Shadowhunters are barely winning the fight against the forces of darkness, one battle will change the course of history forever. Welcome to the Infernal Devices trilogy, a stunning and dangerous prequel to the New York Times bestselling Mortal Instruments series.

The year is 1878. Tessa Gray descends into London’s dark supernatural underworld in search of her missing brother. She soon discovers that her only allies are the demon-slaying Shadowhunters—including Will and Jem, the mysterious boys she is attracted to. Soon they find themselves up against the Pandemonium Club, a secret organization of vampires, demons, warlocks, and humans. Equipped with a magical army of unstoppable clockwork creatures, the Club is out to rule the British Empire, and only Tessa and her allies can stop them...
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Rating: ★ ★ ★ ☆ ☆   |   Obtained from: Local Library   |   Read: Aug. 28, 2011
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I took a chance with Clockwork Angel for one reason: the cover. It fairly screamed H.G. Wells and Jules Verne. So what if it involved vampires and warlocks, I was tempted. Sadly, the steampunk aspects are minimal, beginning and ending with the concept of a clockwork army. Well executed but hardly competition for Westerfeld’s Leviathan books.

The characters are interesting enough though I feel as if I’ve met William Herondale and Theresa Gray before. There is nothing particularly compelling or distinctive in their makeup. Jem Carstairs is a different story entirely. Physically altered by his terminal condition and dependent on opium of all things, to prolong his existence. I have to hand it to Clare for originality, at least when it comes to her characters. You might have guessed where I am going with this. Two guys, one girl, overused plot device. Personally, I can’t wait till the love triangle twist is put to rest.

Clare’s writing didn’t speak to me. There were moments but I struggled to remain interested between them. Pacing problems aside, I really appreciated the literary references to titles such as The Three Musketeers, Ivanhoe and A Tale of Two Cities. It was a wonderful surprise and a welcome change from authors whose knowledge of the classics ends with Shakespeare, Austen and Bronte.

Solid if not especially memorable. Recommended to fans of Patricia Briggs.

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Whatever you are physically, male or female, strong or weak, ill or healthy - all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.
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