Rating: ★ ★ ☆ ☆ ☆
Obtained from: Personal Kindle Library
Read: April 27, 2014
Obtained from: Personal Kindle Library
Read: April 27, 2014
Xerxes, the Great King of Persia invades Greece in 480 B.C. at the head of over a million barbarians. 300 Spartan’s led by King Leonidas die heroically blocking the Persian advance at the pass of Thermopylae. The Persians are poised to conquer all of Greece. The only one standing in their way is a woman – Gorgo, Queen of Sparta. Though history has relegated her role to an interested bystander, what if she played a central part at the heart of the Greek resistance to the Persian invasion. What if she kept her true role a secret in order to play it more effectively? What if she was hiding other secrets too – dark secrets of murder and vengeance? What if the only person who truly appreciated her genius was an enemy prisoner? What if after their victory, the Greeks start to turn on each other? What if, eventually, Gorgo has to choose between the security of Sparta and safety of her son? And what if the only one who could find a way out is the same prisoner whom she has vowed to kill?
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When I looked at T.S. Chaudhry's The Queen of Sparta I told myself $9.99 was too much for a kindle book, I told myself I'd regret it, I told myself to wait for a detailed review, and then I told myself to shut up... not one of my better moments, I assure you.
The Queen of Sparta is fact heavy, so much so that reading it felt like attending an academic dissertation. The text is chock full of names, pedigrees, alliances, military campaigns and political discourse. Don't get me wrong, meticulous research is well and good, but trying to keep up with this piece was mentally exhausting, especially as my understanding of the Peloponnesian War is limited to the basics. The end result is informative, but also taxing and that is not something I particularly appreciate in fiction.
There is no thematic material to be seen in this piece. No underlying ideas or motifs. The story is glaringly self-evident, lacking both drama and tension. There is not a single character arc in the entire novel, nor a clearly defined antagonist for that matter. Yes, the idea that Gorgo might have been the mastermind behind the Greek resistance is intriguing, but it does not make a story in and of itself. Chaudhry needed to bring depth and dimension to the narrative and his failure to so left me disheartened and unsatisfied.
The narrative is almost entirely driven by dialogue, conversations that are splendidly eloquent, but wooden and uninteresting for their excessive exposition. The characters are universally flat and static, with many like Elpinince, Lampito and Cleonice who seem to exist for the sole purpose of expounding superfluous accounts of archaic detail. Even Gorgo's relationship with Sherzada lacks tangible emotion.
To be perfectly honest, I feel cheated of both my time and money. This piece had loads of potential, but the reality of its execution left much to be desired.
The Queen of Sparta is fact heavy, so much so that reading it felt like attending an academic dissertation. The text is chock full of names, pedigrees, alliances, military campaigns and political discourse. Don't get me wrong, meticulous research is well and good, but trying to keep up with this piece was mentally exhausting, especially as my understanding of the Peloponnesian War is limited to the basics. The end result is informative, but also taxing and that is not something I particularly appreciate in fiction.
There is no thematic material to be seen in this piece. No underlying ideas or motifs. The story is glaringly self-evident, lacking both drama and tension. There is not a single character arc in the entire novel, nor a clearly defined antagonist for that matter. Yes, the idea that Gorgo might have been the mastermind behind the Greek resistance is intriguing, but it does not make a story in and of itself. Chaudhry needed to bring depth and dimension to the narrative and his failure to so left me disheartened and unsatisfied.
The narrative is almost entirely driven by dialogue, conversations that are splendidly eloquent, but wooden and uninteresting for their excessive exposition. The characters are universally flat and static, with many like Elpinince, Lampito and Cleonice who seem to exist for the sole purpose of expounding superfluous accounts of archaic detail. Even Gorgo's relationship with Sherzada lacks tangible emotion.
To be perfectly honest, I feel cheated of both my time and money. This piece had loads of potential, but the reality of its execution left much to be desired.
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Battle, they say, is everything that manhood is about; the very epitome of glory. But what glory, I asked myself, is there in a spear-point sticking out of a jaw or a mangled headless body rotting on the ground?
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