Showing posts with label Royal Reads: The Normans. Show all posts
Showing posts with label Royal Reads: The Normans. Show all posts

Friday, October 16, 2015

The Leopard Unleashed by Elizabeth Chadwick

Rating: ★ ★ ★ ★ ☆
Obtained from: Personal Library
Read: October 16, 2015

Renard, Lord of the Ravenstow, is a crusader in Antioch, a place far removed from the cold Welsh Marches of his birth. Summoned home to his ailing father, Renard brings Olwen with him, an exotic dancing girl whose sensuous beauty and wild ways have ensnared him. Yet, in a political match made by their families, Renard is already betrothed to the innocent Elene and he know he is also returning to the duty of marriage. Torn between Olwen and Elene, Renard's personal dilemma is set against a background of increasing civil strife as Ranulf of Chester, his greedy neighbour, strives to snatch his lands. When Renard is taken prisoner at the Battle of Lincoln, his fate is placed in the hand of two women - his former mistress, now in the bed of his deadliest enemy, and his determined yet inexperienced wife, protecting his lands against terrible odds...

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Stephen of Blois, Empress Matilda,
Raymond of Poitiers and Owain Gwynedd
I've a problem with Elizabeth Chadwick. Well, not personally, I've a problem reading her work. I pick it up intending to read one chapter, but somewhere between points a and b, I fall through the damned pages and lose all sense of time and responsibility. I should have started the laundry two hours ago, but what was I doing instead? Tramping around the Welsh Marches.

Am I sorry? Not in the least. Okay, maybe a little. I'll be scrambling to find clean clothes come morning, but I'm quite pleased with the time I spent on this book. Chadwick's ability to blend fact and fiction is brilliant and while I don't feel The Leopard Unleashed is her strongest effort, I admire much of the content and greatly enjoyed the narrative's direction and tone. 

Guyon trumps both, but I admit I like Renard more than Adam. I had difficulty warming to the latter when reading The Running Vixen, but Renard's easy-going manner, modest tastes, and perceptive nature intrigued me almost instantly. I wish Chadwick had written more from his perspective, I think there was a lot of untapped potential in his character, but I liked what she offered and thought his personality and disposition engaging just the same. 

That said, I think Elene the strongest of the three heroines. She's a contented homemaker, but shrewd, intelligent, and capable. She's insecure, but I think her struggles intensely realistic and I liked how Chadwick was able to showcase her emotions without sacrificing Elene's integrity. Her gentle inexperience makes an interesting contrast to Olwen's bold proclivities, but she's intensely empathetic and I found much to appreciate in her quiet strength and intense loyalties. 

I wasn't particularly fond of Olwen, but that has more to do with the structure and development of her character than her personality. She's shamelessly bold and conniving, but I think she'd have read better if the reader had been privy to more of her scheming. She disappears for several chapters of the narrative and is reintroduced in an entirely new situation and I would have liked to see her rationalizing that transition. The incident with Ranulf's would have been equally interesting, as would her seduction of Owain. All this happens 'off screen' and while I recognize the intent, I felt the approach left her somewhat fractured and arbitrary. Like Renard, I liked what was offered, but I think more could have been done with her character and role.

The supporting cast didn't interest me as much as they did in earlier novels. Ranulf of Chester was more a more convincing antagonist that Walter de Lacey, but I struggled to understand the origin of the animosity he harbored against Renard. Judith and Guyon make brief appearances, but their roles aren't as significant as Miles' in The Running Vixen. Henry felt underdeveloped in my eyes which made his emotional trials difficult to fathom. Hamo was superfluous in my opinion and while Stephen made an impression, he paled next to predecessors William II and Henry I. I truly enjoyed Chadwick's interpretation of Antioch and the Battle of Lincoln, but I felt the absence of Raymond of Poitiers and Empress Matilda. Both are mentioned, but neither enjoys face time with the reader. Owain Gwynedd interacts with Ranulf toward the end of the novel, but it is a cameo appearance, one that left several unanswered questions in its wake. 

There is a lot going on towards the end of the novel and while I appreciated the action, I felt the final chapters rushed and slightly awkward. It isn't like Chadwick to leave loose ends, but I felt there was a lot of unresolved drama in this particular volume and that put a slight damper on my appreciation of the novel's strengths. I loved the book and would definitely recommend it, but I wish there'd been more to it as it doesn't offer the closure one expects at the end of a series. 

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It was more than just the girl, he thought. It was the responsibility for Ravenstow. It was the sight of their father dying by fractions before his eyes. It was the constant living on a blade's edge. What wonder that he should seek oblivion in the arms of a woman who was a reminder of the lost freedom of Outremer. What wonder that her should object to being roused and thrust face to face with duty.
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Saturday, October 3, 2015

The Running Vixen by Elizabeth Chadwick

Rating: ★ ★ ★ ★ ☆
Obtained from: Personal Library
Read: October 3, 2015

It's 1126. Heulwen, daughter of Welsh Marcher baron Guyon FitzMiles, has grown up with her father's ward, Adam de Lacey. There has always been a spark between them, but when Heulwen marries elsewhere, to Ralf le Chevalier, a devastated Adam absents himself on various diplomatic missions for King Henry I. When Ralf is killed in a skirmish, Heulwen's father considers a new marriage for her with his neighbour's son, Warrin de Mortimer. Adam, recently returned to England, has good reason to loathe Warrin and is determined not to lose Heulwen a second time. But Heulwen is torn between her duty to her father and the pull of her heart. Adam is no longer the awkward boy she remembers, but a man who stirs every fibre of her being - which places them both in great danger, because Warrin de Mortimer is not a man to be crossed and the future of a country is at stake...

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Henry I and Empress Matilda
I've no nostalgic memories of Elizabeth Chadwick's The Running Vixen. I've read The Wild Hunt three times, but the second installment of 'The Ravenstow Trilogy' enjoyed limited international release and was next to impossible to find when I first discovered the series in the late nineties. Fortunately for me, the book was reprinted in 2009 and I was afforded a cost-effective means of indulging my interest.  

Though not specifically illustrated, I love Chadwick's mention of The White Ship and the crisis it created for Henry I. The book itself documents events between 1026 and 1028, but it is chock full of references to The Anarchy and the events that led to it. William le Clito, Geoffrey of Anjou and Hugh de Mortimer enjoy small, but noteworthy roles and I liked how their inclusion added to the political drama that played out in the background of the novel. I was further impressed with how Chadwick made the bureaucratic unrest relevant in the eyes of her fictional cast. Miles' grandson and namesake drowning alongside William Adelin, Adam serving as royal escort for Empress Matilda, and Guyon's personal support of Stephen of Blois weren't exactly pertinent to Adam and Heulwen's story, but such details spoke to the author's deep appreciation for the facts on which her story is based and her dedication in recreating this time and place for her audience. 

As far as the narrative is concerned, I wont deny feeling The Running Vixen took a long time to find its feet. Chadwick's books usually draw me in immediately, but I was a good seventy pages into this installment before I fell into the story and I think that had a lot to do with the relationship between Heulwen and Adam. Unlike their predecessors, Adam and Heulwen have history. They are at a turning point in their association while the reader is playing catch-up. Chadwick handled the situation well, but as stated, development took a little longer than I'd anticipated. In comparing the book to its predecessor, there is also a notable shift in both style and tone. It's not bad by any mean, but it is very different. 

I found Heulwen fascinating, especially as the story progressed. She has many original attributes, but I noted traits reminiscent of both mother and stepmother in her demeanor. I made no secret of my appreciation for Rhosyn in my review of The Wild Hunt and maybe I'm alone in this, but I thought Heulwen's tendency to seek solace away from the confines of the keep a nice nod to her mother's aversion to stone walls. Her married life is challenging, but Chadwick managed to make her demons very different from Judith's which is why I feel the story works. The author picked up where she left off, but took things a completely new direction to explore entirely new subject matter. 

Guyon is a tough act to follow, but I think despite the odds, Chadwick managed to do a lot of interesting things with Adam. I thought his struggle to balance his own merit against his father's legacy inspired and feel it brought an interesting dynamic to his role, especially toward the end of the novel when his insight serves a poignant and tender purpose. I also liked that for all the skill in his sword arm, he finds himself at something of a disadvantage with Heulwen. It's not something I've noted often in medieval fiction, but I found the intimate role reversal both striking and original. 

Miles caught my eye in book one of the series, but he shines in book two. Despite his pride, the aging patriarch is openly devoted to his family and I liked how Chadwick utilized him to further his granddaughter's story. Rhodri has a lot going on under the surface and while I wasn't particularly fond of him, I wont deny appreciating how the author's presentation challenged me to think about him from different angles. As far as antagonists go, I felt Warrin de Mortimer stronger than Walter de Lacey. He's isn't likable or sympathetic, but he isn't one dimensional either and I liked the idea of villain with layers. 

The Running Vixen is heavily romantic, but it is also clever and engaging. It's a little slow in places, but it is a solid sequel to The Wild Hunt and something I'd definitely recommend to fans of medieval fiction. 

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"Widows don't stay widows long in the marches. It is too dangerous, and Heulwen accepts the fact..."
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Sunday, September 27, 2015

The Wild Hunt by Elizabeth Chadwick

Rating: ★ ★ ★ ★ ★
Obtained from: Personal Library
Read: September 27, 2015

During the 12th-century Welsh March Wars, King William Rufus orders Guyon, 28, to marry nearly 16-year-old Judith in order to secure lands from Judith's despised uncle, Lord Robert de Belleme. As the marriage begins, Guyon is angry and Judith is terrified. He is experienced in both love and war, and is hostile about marrying this child and surrounding himself with such a nest of political vipers. Judith, having watched her father abuse her mother, expects her own marriage to include rape, beatings, and humiliation. What gradually develops between them is a trust and respect that eventually blooms into a passionate love. Their story is tightly interwoven with a tenuous political situation as brothers battle for the kingdom and the barons divide themselves between the factions.

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William II and Henry I of England
I've read Elizabeth Chadwick's The Wild Hunt three times now and I love it as much today as I did when I first discovered it. As a teen, I was seduced by the romance between Guyon and Judith, but as an adult I find myself draw to the characters, atmosphere, politics, history and emotional conflict. Romance aside, there is a certain timelessness to the narrative that appeals on a variety of levels. 

Guyon's relationship with Judith might sound odd to some, but the pairing of a twenty-eight year old to a maid of sixteen was quite acceptable in the twelfth century and I like that Chadwick didn't shy from exploring the intricacies of that age gap. The novel spans four years and the emotions she illustrates in both hero and heroine are intensely authentic. The relationship ebbs and flows, it changes as the characters grow together and that really worked for me. 

Guyon's relationship Rhosyn is equally intriguing. Chadwick's treatment of the Welshwoman in downright captivating. On the surface, she is Judith's rival, a pebble in the boot of the Lady's marriage, but as a reader I couldn't help respecting Rhosyn's position and spirit. She is honest to herself, kind, generous, gentle, sensitive, accepting, practical and realistic. I liked that. Too often, authors paint the other woman in extreme shades, but I felt Chadwick's approach thought-provoking and appreciate how she handled Guyon's conflicting emotional allegiances without physical infidelity or blatant stereotyping. 

Several members of the supporting cast also caught my eye. The author had no cause to develop them as she did, but conflicts each faced over the course of the story added much to the fabric of the narrative. Eluned's childish infatuation and jealousy, Rhys' sense of possession and developing understanding of the world and Alicia's struggle for happiness both during and after her marriage pulled me further into the story. Each has an individual journey and I liked how their struggles played into the main story line. 

Chadwick's book marked my first introduction to the Welsh March Wars, but I've learned a lot about them over the years and revisiting the novel only heightens my admiration for her handling of the material. Most who read the book will remember the character drama, but the power struggle between Guyon and the other marcher lords is rather interesting if you've an interest in period politics. The novel touches on the death of William II and ascension of Henry I, but Chadwick's focus is definitely on the border violence that characterized the age. 

Atmospherically, I love this piece. There are a couple of words, treadmill for example, that stand out like sore thumbs, but for the most part the language and descriptions feel genuine to the era. Chadwick obviously understands the period and the lifestyles of those who lived in it. Folk remedies such as moldy bread are prominently depicted, but no one feigns to know why the treatment is effective and there are no undue hints that the concoction of bacteria on the aging crusts is in fact penicillin.

Bottom line, The Wild Hunt is a wonderful book. Brilliant in both historic detail and fictional drama. Highly recommended. 

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"I cannot tell you, love. Call it a political secret if you will, or just plain discretion. It is a confidence I think I would rather die than break."
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