Showing posts with label 5 Stars. Show all posts
Showing posts with label 5 Stars. Show all posts

Tuesday, November 29, 2016

The Alice Network by Kate Quinn

Rating: ★ ★ ★ ★ ★
Obtained from: Publisher
Read: November 16, 2016

1947. In the chaotic aftermath of World War II, American college girl Charlie St. Clair is pregnant, unmarried, and on the verge of being thrown out of her very proper family. She's also nursing a desperate hope that her beloved cousin Rose, who disappeared in Nazi-occupied France during the war, might still be alive. So when Charlie's parents banish her to Europe to have her "little problem" taken care of, Charlie breaks free and heads to London, determined to find out what happened to the cousin she loves like a sister. 1915. A year into the Great War, Eve Gardiner burns to join the fight against the Germans and unexpectedly gets her chance when she's recruited to work as a spy. Sent into enemy-occupied France, she's trained by the mesmerizing Lili, the "Queen of Spies", who manages a vast network of secret agents right under the enemy's nose. Thirty years later, haunted by the betrayal that ultimately tore apart the Alice Network, Eve spends her days drunk and secluded in her crumbling London house. Until a young American barges in uttering a name Eve hasn't heard in decades, and launches them both on a mission to find the truth... no matter where it leads.

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Do you know what happens when one of your favorite authors leaves her usual stomping grounds and tackles your favorite period of world history? First, you geek out like the nerd you are. Then worry sets in and you start to psyche yourself out over whether or not the novel will live up to your inflated expectations. After that, you vacillate back and forth between the two. This continues until you actually get opportunity to read the book and are put out of your misery. I know because that’s exactly what happened when I discovered Kate Quinn was writing about World War II.

It was horrible. The highs and lows of my anticipation put Tim Curry to shame, but I was offered an unexpected reprieve in the form of a simple blue ARC. My copy lacked the author’s notes and the attractive jacket, but the story was there and that was all I needed. I inhaled the book in single sitting and then, just because I could, I read it again. I didn’t take notes on the first pass which is unusual for me. I intended to, but my infamous notebook was actually blank when I finished the final page and looking back, I’m glad I didn’t write my review then and there as my thoughts on my first read were remarkably different than those on my second.

Quinn’s signature humor was abundant, but the rhythms of The Alice Network are very different than those of her earlier works. I was confused by that on my first pass, but I grew a deep appreciation for it on my second. I loved the characters, Eve, Lili, and Finn had me rolling on floor more often than I care to admit, but the thematic ideas Quinn played with over the course of the novel felt larger and more comprehensive than anything I’d seen from her before.

I was tickled by the appearance of a Legonda LG6, but the car itself was a superficial detail that could have been dropped into any story. The fabric of the narrative, however, speaks to a much deeper understanding of the period than the car and/or cover description suggests. Half the narrative takes place during World War I while the other unfolds just after World War II. Anyone who has studied the politics will tell you the two conflicts are intrinsically related, but as a fan of war era fiction, I can attest that few authors attempt to illustrate the relationship in a single narrative. Though she avoids deep diving into the political side of things, Quinn treats the two wars as continuing chapters in the lives and experiences of her cast and while I’m not sure every reader will appreciate the subtle nuance, I was personally very impressed with the thematic parallel.

I freely admit that some portions of the narrative are slower than others. In terms of tension, Quinn’s work can’t be compared to spy novels like Code Name Verity, but the personal journeys and conflicts faced by each character offer a different sort of intrigue. There are moments, carefully scattered throughout the story, that leave one on edge of their seat, but it is the characters and how they are shaped by their experiences that captivates the imagination.

Would I recommend the book? Whole-heartedly and without hesitation. I expected this novel to be well-written and I expected an exhaustive level of research to be evidenced in the final product. Quinn delivered on both, but she also managed level of creativity, depth and authentic human emotion that caught me entirely off guard.

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"It is my job to find people with certain skills - the ability to speak French and German, for example. The ability to lie. Outward innocence. Inward courage. To find them and put them to work, ferreting out what the Boches have planned for us. I think you show potential, Miss Gardiner. So, let me ask: do you wish to stand for England?"
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Saturday, October 15, 2016

A Song of War by Kate Quinn, Christian Cameron, Libbie Hawker, Vicky Alvear Shecter, Russell Whitfield, Stephanie Thornton, & S.J.A. Turney

Rating: ★ ★ ★ ★ ★
Obtained from: Historical Fiction Virtual Book Tours
Read: August 31, 2016

Troy: city of gold, gatekeeper of the east, haven of the god-born and the lucky, a city destined to last a thousand years. But the Fates have other plans—the Fates, and a woman named Helen. In the shadow of Troy's gates, all must be reborn in the greatest war of the ancient world: slaves and queens, heroes and cowards, seers and kings... and these are their stories. A young princess and an embittered prince join forces to prevent a fatal elopement. A tormented seeress challenges the gods themselves to save her city from the impending disaster. A tragedy-haunted king battles private demons and envious rivals as the siege grinds on. A captured slave girl seizes the reins of her future as two mighty heroes meet in an epic duel. A grizzled archer and a desperate Amazon risk their lives to avenge their dead. A trickster conceives the greatest trick of all. A goddess' son battles to save the spirit of Troy even as the walls are breached in fire and blood. Seven authors bring to life the epic tale of the Trojan War: its heroes, its villains, its survivors, its dead. Who will lie forgotten in the embers, and who will rise to shape the bloody dawn of a new age? 

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Trends in historic fiction are changing. I’ve read the genre for the better part of the last two decades and I’ve never seen a format grow in popularity the way anthologies and continuities have. I’ve no problem admitting that I've avoided both for as I typically find the stories unbalanced and the authors poorly matched, but books like A Day of Fire and A Year of Ravens have gone a long way in changing that opinion.

A Song of War is the third release from The H Team and I personally think it the strongest of thus far. Unlike the earlier books, the magnitude and scope of the Trojan war allowed each author to explore a pivotal event in the conflict and afforded each contributor a moment to shine in a way the earlier books hadn’t. The stories are intrinsically connected and follow the well-known course of events, but I liked how each author had their own platform and how of their individual voices were showcased within the larger chorus.

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The Apple by Kate Quinn
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Kate Quinn penned the first Song from the dual perspective of Hellenus and Andromache. I was vaguely familiar with the former, but had never given him much thought and was surprised by how quickly the quiet Trojan Prince grew on me. I found Quinn's characterization intensely relatable and I enjoyed how his personally played off her interpretations of his more recognizable siblings. Unlike her counterpart, Andromache was familiar to me and I greatly appreciated and enjoyed Quinn’s interpretation of the character. I found Andromache’s genuine emotion and personal challenges endearing and enjoyed seeing her come into her own and revel in a few moments of pure joy as the cloud of war gathered on her horizon.

Hector, Paris, Helen, and Odysseus made notable appearances in the first Song. Though they aren’t explored in significant detail, most of the narrators are introduced in Quinn’s submission and I appreciated how the effort facilitated transitions between submissions as I made my way through the book. I was also amused by how many secondary myths and stories were referenced in The Apple and appreciated how the piece set the stage for the conflict ahead.

* Best Moment in A Song of War – Kudos for a long overdue double bitch-slap. *

I wondered if Aphrodite was laughing at me, up on Olympus. How the goddess of love had played with my future: if I ever held the girl I loved, it would be over the corpse of the brother I revered.

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The Prophecy by Stephanie Thornton
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Quinn is one of my favorite writers and I pitied the author tasked with following in her wake. Or I did, until I discovered who it was. I’m a big fan of Stephanie Thornton and actually laughed out loud as I knew her story, regardless of subject, would hold its own. Quinn’s signature humor is unrivaled in my mind, but Thornton’s command of language has left me speechless on more than one occasion and while I knew the tone would take a dramatic turn in Song two, I was confident that Cassandra’s story would be as layered and memorable as Hellenus and Andromache's had been.

I found the second Song deliciously dark and strangely addictive. Thornton’s exploration of Cassandra’s family situation and the demons that haunted her tickled my imagination and I was fascinated by how author chose to illustrate Cassandra’s madness. Cassandra is obviously damaged, but there is genuine fire in her and a selflessness that no other character in the narrative rivals. Atmospherically I felt this one of the strongest submissions and I greatly admired the intensity and intelligence of the action and dialogue Thornton presented.

* Best Surprise in A Song of War –Apollo’s Temple… Grotesque, but surprising and satisfying. *

They called me mad because I uttered truths no one wished to hear.

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The Sacrifice by Russell Whitfield
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Russell Whitfield put himself on my radar when I read A Year of Ravens. I’ve actually reread that submission a couple of times since reading the book and could kick myself for not having acquired his solo publications, but long story short, I was excited to see he’d contributed to A Song of War.

That said, I was wholly unprepared for his take on Agamemnon. I’m not a fan of the character and my mind’s eye always flashes on Brian Cox when I read the name, but Whitfield turned that mental image upside down and challenged me to see his protagonist as a man burdened by guilt, alerted by grief, and embittered by years of war and responsibility. Agamemnon’s annoyance with Achilles is palpable, but it was the relationships he shares with Iphigenia and Chryseis that cut to my core. Whitfield’s Agamemnon is a man who gave everything to the campaign and lost his soul for his trouble. It’s a harsh story and brutal on a number of levels, but the presentation and the ideas it explores are a true testament to Whitfield’s creativity, vision, and talent.

* Best Character in A Song of War – Writing a hero is easy, reinventing a villain is an achievement. *

Lust - for women, for gold, for power. Men were base creatures. Ironic then, that he had to place their welfare and their objective first and foremost.

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The Duel by Christian Cameron
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Christian Cameron was the first of two contributors with which I was not previously familiar. I’d no idea what to expect from his writing, but I knew where we were in the story and I swore I’d rake him cross the coals if he didn’t do right by Hector. The outcome was a given, but the Trojan Prince is my favorite character and I didn’t need to see him slaughtered without putting up a decent fight. I’m a passionate reader and I make no apologies for it. I was going to love this submission or hate it, there was no middle ground.

I expected an intensely masculine story and was caught off guard when I realized Cameron had centered his story on Briseis, but I was floored by what happened next. Cameron’s submission was the first to show a different side of a previously established character and I was captivated by how Briseis’ opinions of Achilles contrasted Agamemnon’s. As a character Brises defied traditional gender roles and I loved how Cameron's choice of narrator allowed his to authentically illustrate the expanse of the battlefield. I formed a deep appreciation for the action itself, but Cameron capitalized on the enormity of the conflict and gave his readers a truly remarkable point of view.

* Best Battle Scene in A Song of War – Hand to hand combat between two ‘worthy’ opponents. *

War is brutal, but it is far more brutal to women than men, who, mostly, can only die when their bodies are torn asunder, rather than live on with their lives torn out like the entrails of an antelope taken by dogs.

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The Bow by Libbie Hawker
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I’d stumbled over Libbie Hawker’s work prior to reading A Song of War, but The Bow marks my first time reading it. As with Cameron's work I didn't know what to expect from the writing, but I knew where the story was going. I'd opinion about the material, but I was fairly open minded in regard to how it should play out which is why I was surprised to discover The Bow was the most personally challenging of the entire novel.

I didn’t care much for Penthesilea and struggled to engage in her arc. I liked the general idea, but as with the The Queen by Stephanie Dray, I felt this character could carry her own story and didn’t feel right about it being condensed to so short a piece. I thought Priam had some very interesting moments at this point in the story, but I was confused by Paris, Helen, Andromache, and Cassandra as Hawker’s interpretations weren’t entirely consistent with those of the authors who’d introduced them earlier in the novel.

That said, Philoctetes proved a breath of fresh air. Straight off the boat, he didn’t exude the war weary aura that had settled on much of the cast and I think his perspective allowed Hawker to explore the field in a way none of her peers could. I felt she took full advantage of the opportunity this afforded and applauded her for illustrating homosexual affection without effeminizing her protagonist in the process.

* Best Iconic Moment in A Song of War – Hawker popped the weasel! *

Life without honor is not worth living.

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The Horse by Vicky Alvear Shecter
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Vicky Alvear Shecter is not a new author for me, but as far as I’m concerned, The Horse left the rest of her work in the dust and I’m not just saying that because she had the guts to tackle my second favorite character. Odysseus is easily the most iconic voice in A Song of War and I honestly thought Shecter crazy for attempting to write him, but her interpretation blew me away and left me in absolute awe of her imagination and skill.

Troy is primed and ready to fall in these scenes. Alliances are shifting, some characters are breaking and others are showing their true colors. There’s a lot going on in this piece, but Shecter made it work while drawing the novel towards its climax in a way that complimented both the vision of her peers and the original source material.

* Best Submission in A Song of War – Finest adaptation of original story. *

How do I explain that I would not dare shed blood— especially the blood of the goddess’s servants— lest she curse me and my family for generations for the sacrilege? His approach would only beget an endless cycle of bloodshed. And yet because I shed no blood, I should be ashamed?

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The Fall by S.J.A. Turney
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S.J.A. Turney was in the hot seat from the beginning. His submission anchors the narrative which is challenging enough, but Shecter’s story upped the ante threefold. Aeneas is an interesting character, but Shecter’s Odysseus was untouchable and I wondered if Turney could possibly close the novel in a way that didn’t fizzle in the wake of its predecessor.

It was a legitimate question in the moment, but the concern proved entirely unfounded. Turney’s adaptation of the material didn’t inspire my imagination the same way Shecter’s had, but the emotional aspects of The Fall were nothing short of brilliant. Turney’s prose is my favorite of all the author featured in A Song of War and beautifully emphasizes the intense and powerful themes of his submission. His descriptions are stark and often crushing, but there is a candle flame of hope in his story and I loved how his conclusion tied A Song of War to the entirety of The H Team’s existing catalogue.

* Best Tone in A Song of War – Amazing illustration of human emotion. *

I straightened with a frown. ‘While there is still a Troy to save, I have to save it,’ I said with an air of finality. I do not know even now whether it was pride that drove me to turn my back on the notion of flight, or whether it was the call to duty that every warrior feels, for I suffer from both in equal measure. All I do know, as I look back on that decision, is that it was made in defiance of the urging of both men and gods, against the weaving of the Fates, and it brought us only more pain.

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Thursday, September 1, 2016

Tamer of Horses by Amalia Carosella

Rating: ★ ★ ★ ★ ★
Obtained from: Netgalley
Read: August 29, 2016

Abandoned as a baby, Hippodamia would have died of exposure on the mountain had it not been for Centaurus. The king of the centaurs saved her, raised her as his own, and in exchange asks for only one thing: she must marry the future king of the Lapiths, Pirithous, son of Zeus, and forge a lasting peace between their peoples by giving him an heir. It would be a fine match if Pirithous weren’t more pirate than king and insufferably conceited, besides. But Hippodamia can hardly refuse to marry him without betraying every hope her people have for peace.After the death of Dia, queen of the Lapiths, tensions are running high. The oaths and promises protecting the Lapith people from the Myrmidons have lapsed, and the last thing Pirithous needs is to begin his kingship by making new enemies. But not everyone wants peace on the mountain. There are those among the centaurs who feel it comes at too high a price, and Peleus, King of the Myrmidons, lusts for the lush valley of the Lapiths and the horses that graze within it. Pirithous needs a strong queen at his side, and Hippodamia will certainly be that—if he can win her loyalties. But no matter their differences, neither Hippodamia nor Pirithous expected their wedding banquet to be the first battle in a war.

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The Abduction of Hippodamia
Tamer of Horses has been on my list since I hosted a Character Conversation with Polypoetes. It was mentioned that he’d appear in a forthcoming novel and I set myself to keeping an eye out for Carosella’s next release. Lucky for me, I didn’t have to wait long. Three months later I was granted an ARC of the novel and I jumped straight in.

As far as heroines go, Hippodamia is a breath of fresh air. She has tomboyish mannerisms and a great love of horses, but her real motivation is a simple desire to be loved. She wants a husband and a family and I found her modest ambitions both endearing and relatable, especially in a world where glory and immorality reign supreme. She was a very genuine woman in my mind’s eye and I loved how Carosella managed to keep that fundamental element of her character at the forefront of her arc.

Much like his immortal father, Pirithous is an intensely sexual being and it would have been very easy to tire of his appetites, but Carosella plays his prowess against his insecurities and the end result is surprisingly charming. The jealousy he feels towards Eurytion and Antiope soften him and I enjoyed the dimension his flaws afforded. I also appreciated the idea that those same failings eventually drive him to become a better version of himself, but you’ll have to read to book to fully understand what I mean.

The politics of war for the Lapiths fascinated me from the start and I loved how the cultural struggle between the Lapiths and the centaurs heightened the tension throughout the narrative. I was impressed with the role the Gods played in the lives of Carosella's mortal cast and I fell head over heels in love with Antiope, but the moment that stands out in my mind is the final scene. Hippodamia’s sacrifice is profound, but the fact that her worth is truly understood in that moment bring the novel full circle and cuts straight to the heart.

Long story short, I loved every minute I spent with Tamer of Horses and highly recommend it to fellow readers of myth based fiction.

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“A woman who earned her name taming horses ought not be kept from them, Princess. Surely you did not think me so foolish as that?”
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Friday, August 19, 2016

Good Time Coming: A Sweeping Saga Set During the American Civil War by C.S. Harris

Rating: ★ ★ ★ ★ ★
Obtained from: Netgalley
Read: August 19, 2016

I killed a man the summer I turned thirteen... Thus begins C. S. Harris’s haunting, lyrically beautiful tale of coming of age in Civil War-torn Louisiana. Eleven-year-old Amrie St. Pierre is catching tadpoles with her friend Finn O’Reilly when the Federal fleet first steams up the Mississippi River in the spring of 1862. With the surrender of New Orleans, Amrie’s sleepy little village of St. Francisville – strategically located between the last river outposts of Vicksburg and Port Hudson – is now frighteningly vulnerable. As the roar of canons inches ever closer and food, shoes, and life-giving medicines become increasingly scarce, Amrie is forced to grow up fast. But it is her own fateful encounter with a tall, golden-haired Union captain named Gabriel that threatens to destroy everything and everyone she holds most dear. Told with rare compassion and insight, this is a gripping, heart-wrenching story of loss and survival; of the bonds that form amongst women and children left alone to face the hardships,depravations, and dangers of war; and of one unforgettable girl’s slow and painful recognition of the good and evil that exists within us all.

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Civil War era tintype of a mother and daughter.
C.S. Harris’ Good Time Coming is an unapologetically graphic novel. It is an intense story that touches a number of controversial and deeply disturbing subjects. It incorporates moments that stopped me dead in my tracks and scenes that made me distinctly uncomfortable. It is also the most intricate, gutsy, and perceptive Civil War narrative I’ve had fortune come across.

Harris isn’t telling the story of the North or the South in these pages and she’s not preaching the evils of American slavery though all are shown to shape twelve-year-old Amrie’s understanding of the world. Harris’ thesis is much more personal and I feel her effort to explore the ways in which the women of the patriarchal South coped when ‘virtually every able-bodied male in their community marched off to war’ both poignant and profound.

Those who believe war crimes of the day were limited to the deprivation at Andersonville are in for an education with this piece. Harris’ work chronicles the realities of life for civilians caught in the crossfire of the war, the horrors they suffered, the questions they struggled to answer, and the skills they acquired to survive their circumstances. Harris’ research delves deeply into rape and sexual violence, but her investigation was obviously comprehensive and the book even includes casual references to incidents that unfolded outside St. Francisville, Louisiana such as Camp Douglas and the sacking of Columbia.

The women depicted in the novel are a diverse collection of individuals. They range in age and social status. Some are mothers, some are alone, some are widows, some are wives, some are white, some are black, some are both, some own slaves, and some do not. They have different interests and different views, but they are bound together by the brutality, chaos, and uncertainty they face. These characters are fictional, but the resolve and fortitude they exhibit is a testament to their real life counterparts and steel those women forged in the blood-soaked years of the war between the states.

I could go on about the admiration I feel for Harris’ characterizations of Amrie, Katherine, and Castile. I could write about how much I enjoyed the context and contrast afforded by characters like Horst, Mahalia, Fiona, Priebus, Leo, Bo. and Adelaide. I could write pages on my appreciation for the political dialogue, but I feel it best to allow the book to speak for itself on those points. Good Time Coming is the first Harris novel I picked up, but it certainly wont be the last and I can confidently say I’ll recommending this title several times over.

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We lived in a vortex of mounting terror, of atrocity followed by atrocity, until a kind of numbness set in. I suppose the only way to cope with a world gone mad is to pretend that madness is normal. The problem is, when that happens, your world tilts, distorts. And I’m not sure you can ever make it right again.
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Monday, August 8, 2016

By Helen's Hand by Amalia Carosella

Rating: ★ ★ ★ ★ ★
Obtained from: Netgalley
Read: May 12, 2016

With divine beauty comes dangerous power. Helen believed she could escape her destiny and save her people from utter destruction. After defying her family and betraying her intended husband, she found peace with her beloved Theseus, the king of Athens and son of Poseidon. But peace did not last long. Cruelly separated from Theseus by the gods, and uncertain whether he will live or die, Helen is forced to return to Sparta. In order to avoid marriage to Menelaus, a powerful prince unhinged by desire, Helen assembles an array of suitors to compete for her hand. As the men circle like vultures, Helen dreams again of war—and of a strange prince, meant to steal her away. Every step she takes to protect herself and her people seems to bring destruction nearer. Without Theseus’s strength to support her, can Helen thwart the gods and stop her nightmare from coming to pass?

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Theseus and Helen by Vincenzo de' Rossi
I've a confession to make and I don't like beating around the brush so I'm just going to come out and say it. I've been avoiding this review for weeks and even now I can't help feeling that I've been holding off because I didn't want to say goodbye to Amalia Carosella's By Helen's Hand. Writing a review bookends my experience with almost every novel I read and this is one I simply didn't want to be done with.

Helen is the natural focus of the narrative, but Carosella's Helen is anything but typical. Forget all you know, or think you know about the face that launched a thousand ships because the Helen we see between these pages is not the siren of legend. Beneath Carosella's pen, Helen is a complex and genuine figure who's wants and desires make her a remarkably relatable protagonist. I can't imagine that adapting Helen and her mythic beauty to fiction that would appeal to modern readers was easy, but I feel Carosella managed to beautifully redefine this character as a woman of strength, intelligence, and depth.

Paris enjoyed a cameo appearance in book one, but I found his lover, Oenone, who debuts in By Helen's Hand absolutely captivating. I was equally impressed with other members of the supporting cast, notably Polypoetes and Odysseus, and I think that's part of what I like about Carosella's work. As an author, she puts a lot of effort into developing both her primary and secondary cast and I think that adds something very special to her books.

Finally, I want to note the ending of the narrative because those chapters caught me completely off guard. I can't go into too much detail or I'd give it all away, but I didn't see any of part of that twist coming and I was tickled by the fact that Carosella managed to pitch that kind of curve ball at her audience. We all know how the story plays out, but Carosella made it own in an incredibly creative and unexpected way. More than that, she did so without infringing on the classic tale and I've an incredible amount of respect for her for finding a way to be true to both her story and the one that inspired it.

I loved By Helen's Hand and would definitely recommend it other readers, but it should be noted that the novel picks up where it's predecessor left off and while it can be read as a standalone, I really wouldn't advise reading the books out of order. Helen of Sparta lays the foundation for By Helen's Hand and I think the relationships and drama in the second volume are best appreciated by those who know what each of these characters has been through.

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Pollux had not been able to meet my gaze from the moment the small basin had arrived. As if the sight of the water conjured images of my nakedness that he could not bear. My own brother, unable to look upon me without lust. It was as Leda had said all my life. This beauty, this supposed gift of the gods, was nothing more than a curse. A tool meant to drive men into madness.
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Tuesday, August 2, 2016

Fall of Giants by Ken Follett

Rating: ★ ★ ★ ★ ★
Obtained from: Local Library
Read: July 28, 2016

It is 1911. The Coronation Day of King George V. The Williams, a Welsh coal-mining family, is linked by romance and enmity to the Fitzherberts, aristocratic coal-mine owners. Lady Maud Fitzherbert falls in love with Walter von Ulrich, a spy at the German Embassy in London. Their destiny is entangled with that of an ambitious young aide to U.S. President Woodrow Wilson and to two orphaned Russian brothers, whose plans to emigrate to America fall foul of war, conscription and revolution. In a plot of unfolding drama and intriguing complexity, Fall Of Giants moves seamlessly from Washington to St Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty.

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I can't really say what kept me from picking up this behemoth when it came out, but Ken Follett's Fall of Giants never demanded my immediate attention. I stumbled over it here and there, but it wasn't until I saw the audio edition available for check out through Overdrive that I really considered tackling the title.

I wont lie, Fall of Giants is long, the story lines are unbalanced, the cast is unusually large, the characterizations are not complex, and many of the individual arcs are not satisfactorily concluded by the final page. That said, the book is not about any one person, it is about an intense period of time, a few short years that changed the course of human history, and in that light I feel the novel an indisputable success.

A fully comprehensive snapshot would be impossible to create, but Follett's representation is the next best thing. He captures the experiences of individuals from a variety of backgrounds and social standing and pairs it with the political, international, and social issues that dominated their lives. The end result is an intensely personal and multifaceted illustration of both WWI and the Russian Revolution.

Follett's work is meticulously researched, but his ability to deftly weave together the stories and experiences of five families against such a massive and immersive backdrop sets Fall of Giants apart. It's intimidating as hell to look at, but if anyone ever asked if I would endorse it, my answer would be an immediate and enthusiastic yes.

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“It was a sunny day in early summer, and he could hear birdsong. In a nearby orchard that had so far escaped shelling, apple trees were blossoming bravely. Men were the only animals that slaughtered their own kind by the million, and turned the landscape into a waste of shell craters and barbed wire. Perhaps the human race would wipe itself out completely, and leave the world to the birds and trees, Walter thought apocalyptically. Perhaps that would be for the best.”
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Sunday, July 24, 2016

Code Name Verity by Elizabeth Wein

Rating: ★ ★ ★ ★ ★
Obtained from: Local library
Read: July 19, 2016

Oct. 11th, 1943-A British spy plane crashes in Nazi-occupied France. Its pilot and passenger are best friends. One of the girls has a chance at survival. The other has lost the game before it's barely begun. When "Verity" is arrested by the Gestapo, she's sure she doesn't stand a chance. As a secret agent captured in enemy territory, she's living a spy's worst nightmare. Her Nazi interrogators give her a simple choice: reveal her mission or face a grisly execution. As she intricately weaves her confession, Verity uncovers her past, how she became friends with the pilot Maddie, and why she left Maddie in the wrecked fuselage of their plane. On each new scrap of paper, Verity battles for her life, confronting her views on courage, failure and her desperate hope to make it home. But will trading her secrets be enough to save her from the enemy? 

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Phenomenal. There's a word I don't use lightly, but there is no other way to describe Elizabeth Wein's Code Name Verity. I hate sounding like a gushing fan girl, but the young adult surprised me in the best possible way. There are light notes, but the story itself is tempered by the dark realities of WWII and the end result truly remarkable.

Much has been said about the 2012 release, but few reviewers have mentioned Wein's characterizations. Verity, Maddie, Engel, and Millitrette are all strong in different ways. These women defy convention, but not one among them rejects their femininity and I think that an incredibly powerful message. I often see woman painted as homemakers or tomboys and I was profoundly moved to see an author reject conventional tropes in favor of something genuine, multidimensional, and authentic.

That said, Verity stands as a very special character. In contrast to most authors, Wein doesn't shove her headliner's savvy down the throats of her audience in some Sherlock Holmes inspired expositional display of pseudo-intellectualism. In a rather ingenious move, Wein puts everything on the table from the very beginning, hiding Verity's intellect and brass in plain sight while she directs attention toward other elements of the narrative. The end result is subtle, but indisputably brilliant.

Historically speaking... well, I'm not sure I want to go into too much detail on that account. Suffice it to say Wein doesn't hold back. I'm not sure that the description of torture, execution, and death are appropriate for every reader, but I personally thought the author's decision not to hold back intensely admirable considering the subject matter. History loses its value when we downplay the parts we don't care to consider and I think novels like this help those lessons alive through honest and unfiltered illustration of human history.

I didn't know what to expect when I picked up Code Name Verity, but the title proved an intense and complex narrative that vividly recreates the intensity of the era. An absolute must read for one and all.

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“But I have told the truth. Isn't that ironic? They sent me because I am so good at telling lies. But I have told the truth.”
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Thursday, May 5, 2016

The Dark Lady's Mask by Mary Sharratt

Rating: ★ ★ ★ ★ ★
Obtained from: Historical Fiction Virtual Book Tours/Netgalley
Read: March 1, 2016

Shakespeare in Love meets Shakespeare’s Sister in this novel of England’s first professional woman poet and her collaboration and love affair with William Shakespeare. London, 1593. Aemilia Bassano Lanier is beautiful and accomplished, but her societal conformity ends there. She frequently cross-dresses to escape her loveless marriage and to gain freedoms only men enjoy, but a chance encounter with a ragged, little-known poet named Shakespeare changes everything. Aemilia grabs at the chance to pursue her long-held dream of writing and the two outsiders strike up a literary bargain. They leave plague-ridden London for Italy, where they begin secretly writing comedies together and where Will falls in love with the beautiful country — and with Aemilia, his Dark Lady. Their Italian idyll, though, cannot last and their collaborative affair comes to a devastating end. Will gains fame and fortune for their plays back in London and years later publishes the sonnets mocking his former muse. Not one to stand by in humiliation, Aemilia takes up her own pen in her defense and in defense of all women. The Dark Lady’s Mask gives voice to a real Renaissance woman in every sense of the word.

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William Shakespeare
I wish I could say Mary Sharratt’s The Dark Lady's Mask was the first fictional adaptation of Aemilia Bassano Lanier’s life that I’d encountered, but that honor goes to Dark Aemilia: A Novel of Shakespeare's Dark Lady by Sally O'Reilly. My experience with the latter wasn’t ideal as I’ve issues with gratuitous vulgarity, but the source material left a certain impression and inspired a natural curiosity regarding the woman who inspired it which is what led me to Sharratt’s latest release.

First and foremost, I have to admit that I found Sharratt’s adaptation of the rumors and theories surrounding Aemilia beautifully developed. In context, the ideas made perfect sense, but in looking at more abstract notions, I was tickled by the idea of a writer writing about the power of literature and its impact on their audience.

Another thing I liked about this book was the emphasis Sharratt placed on Aemilia as an individual. All things considered, it would have been very easy for our heroine to be eclipsed by her lover and their supposed relationship, but Sharratt’s emphatic dedication to portraying Aemilia’s own merit - her education and individuality - struck a real chord with me.

Following that train of thought, I reveled in the thematic ideas at the heart of the novel. There are a lot of lighthearted moments and good humored narration throughout the text, but Aemilia's resilience fascinated me. Her trials and heartbreak where one thing, but I felt her journey to overcome those challenges inspiring.

Lyrically poetic in its own right, I’d found The Dark Lady's Mask genuine and authentic. Highly Recommended.

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She looked at the astrologer wonderingly and struggled not to laugh. Was there truly a soul left in London who didn’t know her history?
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Thursday, April 7, 2016

The Sun King Conspiracy by Yves Jégo & Denis Lépée

Rating: ★ ★ ★ ★ ★
Obtained from: Netgalley
Read: March 1, 2016

Who can I trust in this nest of vipers? 1661 is a year of destiny for France and its young king, Louis XIV. Cardinal Mazarin, the Chief Minister who has governed throughout the King's early years, lies dying. As a fierce power struggle develops to succeed him, a religious brotherhood, guardian of a centuries-old secret, also sees its chance to influence events. Gabriel de Pontbriand, an aspiring actor employed as secretary to Moliere, becomes unwittingly involved when documents stolen from Mazarin's palace fall into his hands. The coded papers will alter Gabriel's life for ever, and their explosive contents have the power to change the course of history for France and the rising Sun King himself.

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*** Note: This title was previously published as The Sun King Rises.

Louis XIV
I’d love to say an appreciation of French history led me to The Sun King Conspiracy, but I’d be lying through my teeth. The reality is that the book has a genuinely gorgeous jacket and I, as we all know, am an unashamed cover slut. And when I say unashamed, I mean unashamed. I actually requested the previous incarnation of the title, The Sun King Rises, from Gallic Books last year for the same reason. Yeah…

As to the narrative itself, I hardly know where to begin. Historically the novel covers a lot of ground and I was thoroughly impressed with how Jégo and Lépée utilized both fact and period gossip within the fabric of their fiction. Louis XIV of France, Anne of Austria, Cardinal Mazarin, Jean-Baptiste Colbert, François d'Orbay, and Nicolas Fouquet feature prominently in Gabriel de Pontbriand’s story. The much celebrated Mancini sisters make notable appearances and there is even cameo by Charles II. The magnificence and magnitude of the stage Jégo and Lépée create matches the complexities of the conspiracy they construct. Some readers may find their approach somewhat overwhelming, but I personally loved every minute of it.

In terms of pacing, the novel never lets up which is saying something as various editions range between 415 and 496 pages in length. It’s got little on the unabridged edition of Les Miserables, but make no mistake, The Sun King Conspiracy is a beast. It is dense and atmospheric, but the story itself never stops moving. Hit after hit after hit, one twist after another, Jégo and Lépée kept me on the edge of my seat beginning to end. As before, their style and presentation may not be suitable for every reader, but I thought the velocity of the narrative one of its greatest features and greatly appreciated how it complimented the tension, depth, and intricacies of the plot.

That said, there were a few things that bugged. Not enough to downgrade to four stars, but they made a big enough impression that they deserve mention. There is a resolution, but Gabriel de Pontbriand’s story is by no means complete and that irked. I’m not sure if the book has a sequel or not, but it definitely needs one. I’d have also liked more definitive detail regarding the secrets the Brotherhood risks so much to protect. It’s a great story line, but comparatively, I felt it less developed than others in the narrative.

Would I recommend the book? In a heartbeat. The Sun King Conspiracy is a thrilling tale of power, riddles, and treachery. Definitely something I’d recommend as a standalone or as a companion piece to Enchantress of Paris.

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“You are taking terrible risks, Monsieur Superintendent. A crown is a heavy burden to wear when one is not its owner… “
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Sunday, March 20, 2016

The Royal Nanny by Karen Harper

Rating: ★ ★ ★ ★ ★
Obtained from: Edelweiss
Read: February 10, 2016

Based on a seldom-told true story, this novel is perfect for everyone who is fascinated by Britain’s royal family—a behind the scenes look into the nurseries of little princes and the foibles of big princes. April, 1897: A young nanny arrives at Sandringham, ancestral estate of the Duke and Duchess of York. She is excited, exhausted—and about to meet royalty... So begins the unforgettable story of Charlotte Bill, who would care for a generation of royals as their parents never could. Neither Charlotte—LaLa, as her charges dub her—nor anyone else can predict that eldest sons David and Bertie will each one day be king. LaLa knows only that these children, and the four who swiftly follow, need her steadfast loyalty and unconditional affection. But the greatest impact on Charlotte’s life is made by a mere bud on the family tree: a misunderstood soul who will one day be known as the Lost Prince. Young Prince John needs all of Lala’s love—the kind of love his parents won’t…or can’t... show him. From Britain’s old wealth to the glittering excesses of Tsarist Russia; from country cottages to royal yachts, and from nursery to ballroom, Charlotte Bill witnesses history. The Royal Nanny is a seamless blend of fact and fiction—an intensely intimate, yet epic tale spanning decades, continents, and divides that only love can cross.

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Charlotte Bill and Prince John
I requested a review copy of Karen Harper’s The Royal Nanny with half-hearted curiosity. I had a vague historic interest in George V and his family, but I can’t say I was chomping at the bit to experience a fictional account of Prince John and his beloved nurse, Charlotte Bill. In retrospect, this lack of enthusiasm is rather embarrassing as it represents a severe understatement of both author and subject matter, but it is something I gladly cop to in order to emphasize how profoundly impressed I was on completing the narrative. 

Harper’s pen bewitched my imagination in such a way that even now, weeks after completing The Royal Nanny, I find myself at a loss for words. I’m a picky reader and there are a few things I’d have loved to see Harper elaborate on over the course of this story, but those details are so insignificant that they don’t bear mentioning. At the end of the day, my wants stem from a desire for more time with certain members of Harper’s cast and I don’t feel it appropriate to criticize when the root cause of my comments is in fact adoration and praise. 

Charlotte proved a charmingly endearing heroine in my eyes. She isn’t particularly complex in terms of disposition and temperament, but her internal struggles and personal relationships are so intimately drawn that it’s hard not to be moved by her experiences. There is an authenticity in her character that pulls at the heartstrings and despite knowing how events would unfold, I often found myself lost in both her joys and sorrows. Society has changed a lot in the last hundred years, but the intensely personal ramifications of her career choices felt relevant even by contemporary standards. Charlotte could not have everything she wanted in life and watching her accept that reality and find her own happiness despite that which life denied her was truly inspiring.

The children themselves added another layer of depth to novel. Harper took great care to depict each in a way that would complement their real life experiences and I loved how her attention to detail manifested itself through her adolescent cast. I often found myself exasperated with Edward, sympathetic toward Albert, and delighted with Mary. Henry and George play smaller roles, but the moments they share with Charlotte also hint at the trials their historical counterparts faced as adults. John’s relationship with Charlotte is different, but appropriately so. In many ways John was her child and I felt the shift seen in narrative as he grows fitting in light of the situation and circumstances of the life they shared. 

My favorite element of the story, however, was Chad. He wasn’t a character I’d anticipated and his role caught me entirely off guard. I worried about his relevance in the early chapters, but soon realized his importance and admire how Harper used him to round out and challenge Charlotte throughout the story. He’s the perfect counterbalance and I think he brings out something in Charlotte that is often overlooked when examining her legacy and involvement with the royal family. 

At the end of the day, I can’t recommend The Royal Nanny highly enough. Author Sandra Byrd dubbed it compulsively page-turning and I couldn’t agree more. It is a brilliant illuminating novel that affords exceptional insight to the world of Britain’s monarchs, their children, and their staff.  

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It seemed that these glorious ­people in their silks and satins and jewels glittered as much as the gifts and the tree. And to think, Mabel and Rose had both told me that more gifts would be given to the downstairs staff and estate workers in a week on New Year’s Day, another time for celebration and a party. But for me, among these glittering ­people who ruled the realm, a new year—­a new life—­had already begun.
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Friday, March 4, 2016

Salt to the Sea by Ruta Sepetys

Rating: ★ ★ ★ ★ ★
Obtained from: Local Library
Read: March 4, 2016

Winter, 1945. Four teenagers. Four secrets.Each one born of a different homeland; each one hunted, and haunted, by tragedy, lies…and war. As thousands of desperate refugees flock to the coast in the midst of a Soviet advance, four paths converge, vying for passage aboard the Wilhelm Gustloff, a ship that promises safety and freedom. Yet not all promises can be kept. Inspired by the single greatest tragedy in maritime history, bestselling and award-winning author Ruta Sepetys (Between Shades of Gray) lifts the veil on a shockingly little-known casualty of World War II. An illuminating and life-affirming tale of heart and hope.

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Generally speaking I turn to young adult lit when I’m in the mood for something light. I mean no offense in that admission, but the genre doesn’t satisfy my tastes the way it once did. This being the case, I seriously considered bypassing Ruta Sepetys’ Salt to the Sea altogether, but the truth of the matter is that the subject matter was simply too tempting to ignore.

The sinking of the Wilhelm Gustloff is a tragedy I’m very familiar with, but Sepetys’ work marks the first time I’ve seen it adapted to fiction. The disaster serves as the backdrop for the novel’s climax and I loved how the magnitude of event was emphasized by the individual experiences of Sepetys’ cast. The author’s incorporation of the mystery surrounding the Amber Room was also noteworthy, but it was her descriptions of Operation Hannibal that struck the most emotional chord. I read a lot of World War II fiction and genuinely feel the desperation Sepetys illustrated within these pages beyond compare.

Joana’s resolve and generous heart made her an intensely compelling heroine. Florian is flawed, but his tenacity and courage endear him to Sepetys’ audience from page one. Emilia, sweet and gentle Emilia carries a burden of memory and experience I’ve rarely seen in adult fiction and while I was both horrified and heartbroken over the revelation of her backstory, I feel the loss of innocence that defines her journey the most powerful arc of the narrative. I found Heinz, the shoe poet, singularly charming and felt Ingrid refreshingly inspired. Like many readers, I struggled to appreciate Alfred though I can’t decide if that because I felt his voice superfluous or because I pegged his story in the early chapters of the narrative.

In the author’s note, Sepetys states she was “… haunted by thoughts of helpless children and teenagers – innocent victims of border shifts, ethnic cleansings, and vengeful regimes. Hundreds of thousands of children were orphaned during World War II. Abandoned or separated from their families, they were forced to battle the beast of war on their own, left with an inheritance of heartache and responsibility for events they had no role in causing.” Sepetys novel is intense, painful, and at times, uncomfortable, but it truly reflects the horrors faced by children of the period and stands as a testament to the terror they endured and overcame.

Salt to the Sea is not an easy read, but it is a brutally powerful one that I highly recommend.

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“I unbuttoned my coat, enduring the freezing temperature in order to allow the bloodstains on my shirt to be visible. I had another stain of course. One that wasn’t visible. Sippenhaft. Blood guilt.” 
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Friday, January 29, 2016

Platinum Doll by Anne Girard

Rating: ★ ★ ★ ★ ★
Obtained from: Netgalley
Read: January 29, 2016

Set against the dazzling backdrop of Golden Age Hollywood, novelist Anne Girard tells the enchanting story of Jean Harlow, one of the most iconic stars in the history of film. It's the Roaring Twenties and seventeen-year-old Harlean Carpenter McGrew has run off to Beverly Hills. She's chasing a dream;to escape her small, Midwestern life and see her name in lights.In California, Harlean has everything a girl could want;a rich husband, glamorous parties, socialite friends;except an outlet for her talent. But everything changes when a dare pushes her to embrace her true ambition :to be an actress on the silver screen. With her timeless beauty and striking shade of platinum-blond hair, Harlean becomes Jean Harlow. And as she's thrust into the limelight, Jean learns that this new world of opportunity comes with its own set of burdens. Torn between her family and her passion to perform, Jean is forced to confront the difficult truth;that fame comes at a price, if only she's willing to pay it. Amid a glittering cast of ingenues and Hollywood titans: Clara Bow, Clark Gable, Laurel and Hardy, Howard Hughes, Platinum Doll introduces us to the star who would shine brighter than them all.

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Jean Harlow
My first experience with author Anne Girard took place in 2014 when I read Madame Picasso. The book impressed me and played a large part in prompting my interest in Platinum Doll. I knew next to nothing about Jean Harlow when offered an advanced reader’s edition of the book, but I love old Hollywood and knew I’d enjoyed Girard’s style of writing. Long story short, I accepted the offer and quickly lost myself in Girard’s interpretation of Jean’s story. 

The narrative itself follows Jean’s life from 1927 to 1932, covering the course of her marriage to Charles "Chuck" McGrew and the rise of her professional career. Girard emphasizes the tumultuous relationship of a young couple who don’t see eye to eye and a domineering mother who is hell bent on vicariously living her dreams through the success of her only child. Historically, I found the novel illuminating, but I feel the strength of the narrative is in Girard’s illustration of these relationships and the emotion turmoil they create in Jean.

Chuck was a hard character for me personally, but my struggle to appreciate him highlighted how realistically he’d been written. There is a painful authenticity to him, but at the end of the day I felt his character added much to the narrative. I found Mother Jean equally difficult and on more than one occasion I found myself wishing someone would slap her across the face, but even here, I felt Girard’s ability to manipulate my emotions spoke to her abilities as a storyteller. Last, but certainly not least, I found Jean both complex and endearing. Her personality is sweet and I felt the candid nature of Girard's illustration inviting. There is a certain ambiguity to her professional motivations, but I greatly appreciated her character just the same.  

Atmospherically I think the novel quite fun. Girard takes her readers into the offices of Howard Hughes, onto the back lots of MGM, and into the famed glamour of The Brown Derby. Several golden age and silent film star enjoy cameo roles in the narrative, but I felt the most notable were those minor scenes featuring Clark Gable. Unlike Harlow, I’ve studied the actor, and saw a spark in Girard’s rendering of his personality and persona.

When all is said and done, I feel the time I spent with this piece rewarding. Platinum Doll is a striking and poignant illustration of a remarkable young woman. An irresistible novel that effortlessly evokes the glamour and sophistication of Hollywood during its Golden Age. 

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Harlean wasn’t certain she could be any happier than she was at this moment, doing something she loved, with people she so admired. Life’s road was certainly full of twists and turns but she had really begun to enjoy the ride.
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Monday, January 18, 2016

A Dictionary of Mutual Understanding by Jackie Copleton

Rating: ★ ★ ★ ★ ★
Obtained from: Netgalley
Read: December 23, 2015

When a badly scarred man knocks on the door of Amaterasu Takahashi’s retirement home and says that he is her grandson, she doesn’t believe him. But if you’ve become adept at lying, can you tell when someone is speaking the truth? Amaterasu knows her grandson and her daughter died the day the Americans dropped the atomic bomb on Nagasaki; she searched for them amongst the ruins of her devastated city and has spent years burying her memories of that brutal summer. So this man is either a miracle or a cruel trick. The stranger forces Amaterasu to revisit her past; the hurt and humiliation of her early life, the intoxication of a first romance, the fierceness of a mother’s love. For years she has held on to the idea that she did what she had to do to protect her family… but now nothing seems so certain. We can’t rewrite history, but can we create a new future?

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Ruins of Urakami Cathedral in Nagasaki
My decision to request a review copy of Jackie Copleton's A Dictionary of Mutual Understanding was made blindly. I knew nothing about the author, I hadn't read a single review of the title and I'd no idea it was a debut piece. It wouldn't have mattered, I was sold on the subject matter, but I knew very little going into this book and was pleasantly surprised at what I discovered between its pages. 

Amaterasu is an atypical protagonist. She's emotionally complex and intensely vulnerable. She possesses a quiet strength, but it is masked by intense guilt and the pain of devastating personal loss. She is an elderly woman when she is first introduced, but the bulk of the story takes place during the middle years of her life and I loved that. I don't come across many historicals that feature women past the age of thirty and as such, felt Copleton's effort refreshing in both concept and design.

Copleton's description of Pikadon is at times graphic and her treatment may make some readers uncomfortable, but I personally appreciated the author's candor and feel the novel stronger for its authentic portrayal of the bombing of Nagasaki. Copleton's thesis is about family, the decisions we make, and the repercussions we reap, but the setting humanizes the tragic reality of the one the WWII's darkest chapters. 

As to the supporting cast, I greatly enjoyed Yuko, Kenzo, Shige, and Hideo, but Sato is nothing short of fascinating. It is clear that he is the narrative's antagonist, but Copleton writes him with an extraordinary amount depth. He is a convoluted personality that plays on multiple emotions and as a reader, I liked how he challenged me. I wanted to hate him outright, but the complexities of his motivations ultimately tempered my dislike with a certain degree of sympathy. 

When all is said and done, I found A Dictionary of Mutual Understanding a poignant novel that seamlessly blends human emotion and historic fact. It is a somber narrative that beautifully recreates the human condition against the horrors of Nagasaki. Highly recommended. 

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 The doctor had seen the city, the air so thick with the dead you could taste the dust of them. But Sato rejected what he could not bear to be true. He said Yuko couldn’t be gone; she would be helping survivors, or maybe she was sick in some medical centre, or maybe she had been taken out of the city. He offered so many possibilities. I had thought of them all. How could I tell him I knew she was dead because I felt the void of her, a vacuum inside me where a mother carries the soul of her offspring? Sometimes I would feel her, like a ghost limb that causes pain despite its amputation, but I knew this was a trick of the mind. She was dead, and so was her son.
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Wednesday, December 16, 2015

The Conqueror's Wife: A Novel of Alexander the Great by Stephanie Thornton

Rating: ★ ★ ★ ★ ★
Obtained from: Historical Fiction Virtual Book Tours
Read: December 11, 2015

330s, B.C.E., Greece: Alexander, a handsome young warrior of Macedon, begins his quest to conquer the ancient world. But he cannot ascend to power, and keep it, without the women who help to shape his destiny. His spirited younger half-sister, Thessalonike, yearns to join her brother and see the world. Instead, it is Alexander's boyhood companion who rides with him into war while Thessalonike remains behind. Far away, crafty princess Drypetis will not stand idly by as Alexander topples her father from Persia's throne. And after Alexander conquers her tiny kingdom, Roxana, the beautiful and cunning daughter of a minor noble, wins Alexander’s heart…and will commit any crime to secure her place at his side. Within a few short years, Alexander controls an empire more vast than the civilized world has ever known. But his victories are tarnished by losses on the battlefield and treachery among his inner circle. And long after Alexander is gone, the women who are his champions, wives, and enemies will fight to claim his legacy… 

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Stephanie Thornton’s The Conqueror's Wife: A Novel of Alexander the Great represents a significant challenge for me as a reviewer. I don’t want to gush and say it’s amazing because no one believes commentary that is one hundred percent positive, but I can’t identify a single aspect of the book that I disliked. My coffee deprived brain has also rendered me temporarily inarticulate so I apologize in advance for what is sure to be overt admiration relayed in language that is far too elementary to do justice to the novel in question.  

I imagine writing multiple narrators is maddening, but I love the tones Thornton is able to strike in approaching this story from multiple points of view and how the chorus of voices contrast one another as Alexander’s story unfolds. Despite constantly shifting perspectives, Thornton manages to keep each voice unique and I thought that lent a genuinely authentic quality to each characterization. It’s clear that each narrator has a story and Thornton’s effort to illustrate each individual as a distinct and separate entity creates a narrative that is deliciously addictive. On a similar note, I also love that Thornton chose not to write from Alexander's point of view. The decision emphasizes the idea that Alexander did not make himself. His legend has eclipsed the contributions of those who helped him achieve greatness, but Thornton’s thesis is that this was not a solo journey and I think choosing to write about his interactions and relationships went a long way in driving that idea home. 

Thornton’s fierce devotion to historical accuracy is another reason I love her books and The Conqueror's Wife is no exception. I can’t imagine the effort that goes into recreating an ancient time and place, but Thornton’s richly drawn descriptions immerse her audience in Alexander’s world and allows them a comprehensive understanding the culture and landscape of his kingdom. As an author, I’m half convinced Thornton beats herself to a pulp working out the details, but as I reader I find the depth and dimension of her books creative and enthralling. 

Few authors have been able to capture political maneuvering in ways that engage me. Chadwick and Quinn jump to mind, but Thornton rounds out the group with her passionate portrayal of the power struggles that defined Alexander’s life. Please excuse my phrasing, but how an author illustrates the bureaucratic bullshit that plays out behind the scenes of any ruler can make or break a book. The author must possess a thorough understanding of the material and they must present it with enough complexity to be believable while retaining enough clarity to avoid confusion. Few can do this effectively, but I feel Thornton’s mastery of the technique clearly evidenced in her latest release.

I fell platonically in love with Hephaestion and despite all odds the wicked side of me adored Roxana. I admired Thessalonike and was charmed by Drypteis. The Conqueror's Wife was an ambitious undertaking in terms of subject, but the intrigue and drama Thornton creates within these pages is historic fiction at its absolute best. A gripping tale of war, danger, love, determination and intrigue.

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We were murders and poisoners, innocents and warrior. And without us, Alexander would have only been a man. Instead, he was a god.
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