Sometimes, while browsing the virtual shelves on Amazon and Goodreads, I see jacket art that gives me a disconcerting sense of deja vu. I know I've not read the book, but I am equally certain I've seen its image somewhere before.
This phenomenon is what inspired Cover Clichés. Image recycling is fairly common as cover artists are often forced to work from a limited pool of stock images and copyright free material. The details vary cover to cover, but each boasts a certain similarity and I find comparing the finished designs quite interesting.
This phenomenon is what inspired Cover Clichés. Image recycling is fairly common as cover artists are often forced to work from a limited pool of stock images and copyright free material. The details vary cover to cover, but each boasts a certain similarity and I find comparing the finished designs quite interesting.
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He came. She saw. He conquered.
It happened one hot, moonlit midsummer night at a ball in Auckland, New Zealand, 1884. Miss Anna Brown walked out onto the terrace and into arrestingly beautiful Russian artist Sasha Ivanovsky. He is unconventional, unfettered, adventurous, dangerously bohemian—everything she is not, everything she fears. But she is bewitched. His eyes—dark, mysterious, smoulderingly passionate—burn into her mind, into her heart, into her very soul. Unthinkingly, she dances the night away with him.
When dawn breaks, it brings with it the cold light of reality. Ivanovsky is not wealthy, not well-bred, not respectable, not suitable, not safe. Anna’s carefree exhibition on the dance floor has set the tongues of society wagging, and she cannot bear it.
With one glance from his dark eyes, he stole her heart away on that fateful midsummer night. But she is desperately determined that he will not steal away her body and soul too. A resistance must be mounted. Her rebel heart must be subdued, and all thoughts of doomed, dangerous loves locked away. But is forgetting such a man, such a love, impossible? The flame of love he ignited in her heart will not extinguish. Drop by drop she can feel herself melting away. Soon there might be nothing left of her…
But the sea has a gift for Anna. Something dangerous. Something forbidden. Something that threatens to wreck her…
She is a healer, a storyteller, a warrior, and a queen without a throne. In the shadow of King Arthur's Britain, one woman knows the truth that could save a kingdom from the hands of a tyrant...
Ancient grudges, old wounds, and the quest for power rule in the newly widowed Queen Isolde's court. Hardly a generation after the downfall of Camelot, Isolde grieves for her slain husband, King Constantine, a man she secretly knows to have been murdered by the scheming Lord Marche -- the man who has just assumed his title as High King. Though her skills as a healer are renowned throughout the kingdom, in the wake of Con's death, accusations of witchcraft and sorcery threaten her freedom and her ability to bring Marche to justice. Burdened by their suspicion and her own grief, Isolde must conquer the court's distrust and superstition to protect her throne and the future of Britain.
One of her few allies is Trystan, a prisoner with a lonely and troubled past. Neither Saxon nor Briton, he is unmoved by the political scheming, rumors, and accusations swirling around the fair queen. Together they escape, and as their companionship turns from friendship to love, they must find a way to prove what they know to be true -- that Marche's deceptions threaten not only their lives but the sovereignty of the British kingdom.
In Twilight of Avalon, Anna Elliott returns to the roots of the legend of Trystan and Isolde to shape a very different story -- one based in the earliest written versions of the Arthurian tales -- a captivating epic brimming with historic authenticity, sweeping romance, and the powerful magic of legend.
A spellbinding novel, at once sweeping and intimate, from the Booker Prize–winning author of Possession, that spans the Victorian era through the World War I years, and centers around a famous children’s book author and the passions, betrayals, and secrets that tear apart the people she loves.
When Olive Wellwood’s oldest son discovers a runaway named Philip sketching in the basement of the new Victoria and Albert Museum—a talented working-class boy who could be a character out of one of Olive’s magical tales—she takes him into the storybook world of her family and friends.
But the joyful bacchanals Olive hosts at her rambling country house—and the separate, private books she writes for each of her seven children—conceal more treachery and darkness than Philip has ever imagined. As these lives—of adults and children alike—unfold, lies are revealed, hearts are broken, and the damaging truth about the Wellwoods slowly emerges. But their personal struggles, their hidden desires, will soon be eclipsed by far greater forces, as the tides turn across Europe and a golden era comes to an end.
Taking us from the cliff-lined shores of England to Paris, Munich, and the trenches of the Somme, The Children’s Book is a deeply affecting story of a singular family, played out against the great, rippling tides of the day. It is a masterly literary achievement by one of our most essential writers.
Sibeal has always known that she is destined for a spiritual life, and is committed to it with all her heart. The only thing left for her to do before she enters the nemetons is to spend the summer visiting her sisters, Muirrin and Clodagh, on the northern island of Inis Eala.
But Sibeal has barely set foot on the island before a freak storm out at sea sinks a ship before her eyes. In spite of frantic efforts, only three survivors are fished alive from the water, and one of them, a man Sibeal names Ardal, clings to life by the merest thread.
Life continues on the island, as it must, and Sibeal befriends Ardal as he begins to regain his health. But it becomes clear there is something unusual about the three shipwrecked strangers. Why won't the beautiful Svala speak? And what is it that the gravely ill Ardal can't remember – or won't tell? When a visiting warrior is found dead at the bottom of a cliff, and an attempt is made on Ardal's life, Sibeal finds herself a pawn in a deadly game. The truth will be far more astonishing than she could ever have believed – and the consequences for Sibeal unimaginable.
First published in 1869, Lorna Doone is the story of John Ridd, a farmer who finds love amid the religious and social turmoil of seventeenth-century England. He is just a boy when his father is slain by the Doones, a lawless clan inhabiting wild Exmoor on the border of Somerset and Devon. Seized by curiosity and a sense of adventure, he makes his way to the valley of the Doones, where he is discovered by the beautiful Lorna. In time their childish fantasies blossom into mature love—a bond that will inspire John to rescue his beloved from the ravages of a stormy winter, rekindling a conflict with his archrival, Carver Doone, that climaxes in heartrending violence. Beloved for its portrait of star-crossed lovers and its surpassing descriptions of the English countryside, Lorna Doone is R. D. Blackmore’s enduring masterpiece.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Which cover strikes your fancy and why? What colors draw your eye? Do you think the image appropriate next to the jacket description? Leave your comments below!
Have you seen this image elsewhere? Shoot me an email or leave a comment and let me know.
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