Wednesday, November 5, 2014

Interview with Stephanie Thornton, author of The Tiger Queens

Author interviews are one of my favorite things to post which is why I am super excited to welcome author Stephanie Thornton to Flashlight Commentary to discuss her latest release, The Tiger Queens. 

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Welcome to Flashlight Commentary Stephanie. Great to have you with us again. To start things off, please tell us a bit about The Tiger Queens.
The Tiger Queens is the story of Genghis Khan’s conquest of Asia, told from the point of view of his first wife Borte, his rough and tumble daughter Alaqai, a Persian captive named Fatima, and Sorkhokhtani, the silent widow of Genghis’ youngest son. 

Mongolian era historicals aren’t something I see very often. What drew you to this time and place? As an author, where did this story begin?
I’m a huge ancient history buff, but I realized I knew almost nothing about Genghis Khan’s women when Jack Weatherford’s The Secret History of the Mongol Queens came out a few years ago. These women led incredible lives and changed the course of history, beginning with Genghis’ betrothal to Borte when they were both children. That’s where I decided to start the story. 

Atmospherically, I loved the feel of the book. There is plenty of historic detail, but you wove a lot of culture and tradition into the narrative as well. In terms of research, what went into crafting The Tiger Queens? 
My original plan had been to travel to Mongolia for research, but when that fell through I went on a book-buying binge and ordered every Mongolian travelogue, memoir, and non-fiction book I could get my hands on. Louisa Waugh’s Hearing Birds Fly is a stunning memoir about living in Mongolia for a year, and is a book I’d recommend to anyone who enjoys memoirs. I also had a student who’d recently traveled to Mongolia for an exchange so I was fortunate to be able to interview her. 

This particular story centers on four woman: Borte, Alaqai, Fatima and Sorkhokhtani. How do these women differ and what do they represent to Temujin? 
Despite being blood mother to only Alaqai, as the story evolves, Borte becomes a mother to the rest of the women. She is Genghis/Temujin’s rock, even as he begins to take other wives. I think Alaqai reminds Genghis of himself as a child, daring and able to wheedle her way out of any scrape with a grin. Fatima probably represents all the people that Genghis conquered and all the lives he shattered. And Sorkhokhtani is Genghis’ antithesis, silent and brooding, but without her, his empire would have collapsed one generation after his death. 

As an author, how did you find balance between four distinct voices and pull them together in a single narrative? 
Both of my other novels, The Secret History and Daughter of the Gods, were told from a single viewpoint, so ensuring that the four narrators from The Tiger Queens had vastly different voices was a real challenge. Fortunately (or unfortunately), once I started revising, I could hear each woman in my head, often correcting me with something along the lines of, “Alaqai might have said that crass little quip, but I never would.” (That’s Fatima, by the way. She’s nothing if not a snob.) Borte is a seer and many of her observations of the world around her are poetic (a challenge because I am the world’s worst poet) and tied to nature. Alaqai is constantly moving and sometimes a little sarcastic, which is a huge contrast to Fatima, who was raised in one of Persia’s most beautiful and cultured cities before the Mongols sacked it. Finally, there’s Sorkhokhtani who is blunt and down-to-business. 

Since we’re on the subject, which of these women do you feel closest to and why? 
I’m probably most like Sorkhokhtani in that I like to be in charge. (And I can be a little bossy.) I’m also not big on confrontation, but prefer to work behind the scenes to make things happen. 

I thought your characterization of Genghis Khan particularly interesting. What impression do you hope he leaves on your audience?
Anyone familiar with Genghis Khan would probably describe him as a ruthless and bloodthirsty conqueror, which is he was, but I decided to highlight his other sides: the master tactician, propagandist, and charismatic leader. Based on some of his historical actions, most especially his rescue of Borte but also his bestowing huge tracts of land upon his daughters, I assume there was also a more family-man side to Genghis than we read about in the history books. That said, my Genghis takes a back seat to his wife and daughters!

You probably have many, but is there a scene you particularly enjoyed writing?
This probably makes me sound like a bit of a monster, but Fatima’s first scene when the Mongols are pouring over the city walls was one of my favorites, mostly because there was a bit of culture shock going from writing about smoke-filled gers and fermented mare’s milk to the perfumed balconies and mosques of Nishapur. I also really enjoyed writing the Slaughter of the First Snows early on in Alaqai’s section. The winter killing of the geldings and old animals is critical to the survival of the nomadic Mongols even today, but that scene was dripping with atmosphere. (And a lot of blood!)

What scene posed the greatest challenge for you as an author? Why was it troublesome and how did you work through it?  
One of my favorite characters in the book meets a rather tragic and brutal end, which unfortunately, is well documented in history. I initially wrote out the entire death scene in full, but it was so terrible that I couldn’t bring myself to revise it. Instead I cut the whole thing and wrote a new scene from another character’s point of view as she finds the body. My editor ended up thanking me for keeping the death off the page, which was a huge relief!

Sometimes fiction takes on a life of its own and forces the author to make sacrifices for the sake of the story. Is there a character or concept you wish you could have spent more time with or expanded on?
Strangely enough, it’s Genghis’ mother Hoelun who I wish I could have spent more time with. She was a tough old bird, without whom Genghis likely would have died before reaching puberty. The Tiger Queens is my longest book to date, but I could have easily included another 100 pages about her life. Maybe one day I’ll write a novella about her!

Historical novelists frequently have to adjust facts to make their stories work. Did you have to invent or change anything while writing The Tiger Queens and if so, what did you alter? 
My biggest historical alterations include compressing the timeline of events (the story runs its course over almost eighty years in reality) and also choosing to focus on only one of Borte’s blood daughters when in fact it’s likely that she had up to six daughters with Genghis. That was too many women to juggle in one novel!

If you could sit down and talk with one of your characters, maybe meet and discuss things over drinks, who would you choose and why?
By drinks, can we avoid fermented mare’s milk and stick with coffee or wine? 

I’d love to sit down with any of the women, but Alaqai would probably be my first choice, simply because it would be pretty nifty to dish about Genghis with his daughter. 

“So, what did Genghis do when you didn’t pick up your arrows around the ger? Threaten to pour molten silver down your throat, or just ground you?” 

Just because I’m curious, if you could pick a fantasy cast of actors to play the leads in a screen adaptation of The Tiger Queens, who would you hire? 
Khulan Chuluun played Borte in the movie Mongol, but I think she’d make a great Alaqai Beki. Lyndsey Marshall (Cleopatra in HBO’s Rome) could easily play Fatima. 

In looking at your body of work, I’ve recognized your passion for the lives of powerful women and privately mused that you write HERstoric fiction. Why is this theme so important to you? 
I am a big fan of HERstory, only because there are so many women in history whose lives have been completely ignored, forgotten, or worse, purposely erased. It’s important to recognize these women’s accomplishments and also to recognize that for whatever reason, because they achieved fame, glory, or power, society deemed them to be outsiders not worthy of remembering. It’s precisely because of that that they deserve to be remembered. 

And finally, what's next for you? Do you have a new project in the works? 
My next book, The Conqueror’s Wife, will hit the shelves in December 2015 and follows the twisted tales of Alexander the Great’s wife, sister, lover, and sister-in-law. They could give Genghis’ women a run for their money! 

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Stephanie Thornton is a writer and history teacher who has been obsessed with infamous women from ancient history since she was twelve. She lives with her husband and daughter in Alaska, where she is at work on her next novel.

“The Secret History: A Novel of Empress Theodora” and “Daughter of the Gods: A Novel of Ancient Egypt” are available from NAL/Penguin. “The Tiger Queens: The Women of Genghis Khan” will hit the shelves November 4, 2014, followed by “The Conqueror’s Wife: A Novel of Alexander the Great” in November 2015.

Website ❧  Blog ❧  Facebook ❧  Twitter ❧  Goodreads


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PRAISE FOR THE TIGER QUEENS

“A gripping epic of sacrifice, revenge, and conquest…kept me riveted from beginning to end!” –Michelle Moran, bestselling author of The Second Empress

“From under the felted ger tents of Genghis Kahn emerge four powerful women. It is a testament to Thornton’s writing prowess that she can so intricately whittle heroines that are both compassionate and ruthless from the bones of our ancestors…a stunning achievement!” — Barbara Wood, New York Times bestselling author of The Serpent and the Staff and Rainbows on the Moon

“A vivid depiction of warrior women tough as the harsh, windswept steppes which nurtured them and who, as the warring Mongol clans battle for supremacy, survive… to ensure their men emerge the victors. Gripping stuff!” –Alex Rutherford, author of the Empire of the Moghul series

“A sprawling historical saga centering on the wives and daughters of Genghis Khan. These bold, courageous women make tremendous sacrifices in the face of danger, revenge and high-stakes survival, all in the name of family love and loyalty. Be prepared to be swept away by Thornton’s richly drawn epic of an empire and its generational shifts of power.” –Renee Rosen, author of Dollface and What the Lady Wants

“They were the Golden Family of Genghis Khan. Yet their lives were anything but golden as they struggled to hold together the very center of the largest empire the world has ever known. An empire that was built in one lifetime, and would have been destroyed in the next had it not been for the wives and daughters of the Great Khan. This is historical fiction at its finest.” — Gary Corby, author of The Marathon Conspiracy

“Three generations of strong women live, love, suffer, and triumph in a fresh and gritty setting—Genghis Khan’s forging of an empire in thirteenth century Mongolia. Marginalized in most histories, these Mongol mothers and daughters, empresses and slaves, claim their voices again in Stephanie Thornton’s The Tiger Queens. Unusual and imaginative!” –Elizabeth Loupas, author of The Second Duchess and The Red Lily Crown

“Stunning. The Tiger Queens sweeps the reader into the ruthless world of Genghis Khan’s wives and daughters with a gritty realism as intense as the eternal blue sky and blood-soaked steppes. Vivid characterization and top-notch writing. This story of strong women, their enduring friendships and passions give a rare glimpse into a shadowy period of history. A worthy successor to Taylor Caldwell’s The Earth is the Lord’s.” –Judith E. French, author of The Conqueror, The Barbarian, and The Warrior

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Format: Paperback & eBook
Publication Date: November 4, 2014
Released by: NAL Trade
Length: 496 pages
ISBN-13: 978-0451417800
Genre: Historical Fiction

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Check Out All the Stops on Stephanie Thornton's The Tiger Queens: The Women of Genghis Khan Blog Tour Schedule


Saturday, November 1
Interview & Giveaway at Let Them Read Books
Spotlight & Giveaway at Passages to the Past
Sunday, November 2
Monday, November 3
Review & Giveaway at Peeking Between the Pages
Tuesday, November 4
Wednesday, November 5
Review & Giveaway at Broken Teepee
Interview at Flashlight Commentary
Thursday, November 6
Review at The Mad Reviewer
Review & Giveaway at Peeking Between the Pages
Interview at Jorie Loves a Story
Friday, November 7
Review at Scandalous Women
Monday, November 10
Review at Reading the Past
Guest Post & Giveaway at Historical Fiction Connection
Tuesday, November 11
Review & Giveaway at Book Lovers Paradise
Wednesday, November 12
Review at A Bookish Affair
Thursday, November 13
Guest Post & Giveaway at A Bookish Affair
Friday, November 14
Review & Giveaway at The True Book Addict
Monday, November 17
Review at Turning the Pages
Tuesday, November 18
Review & Giveaway at Historical Tapestry
Wednesday, November 19
Review & Giveaway at The Lit Bitch
Interview & Giveaway at Unabridged Chick
Thursday, November 20
Review at Layered Pages
Friday, November 21
Monday, November 24
Spotlight & Giveaway at Reading Lark
Tuesday, November 25
Review & Giveaway at The Maiden’s Court
Wednesday, November 26
Friday, November 28
Review at Book Babe

Tuesday, November 4, 2014

The Tiger Queens: The Women of Genghis Khan by Stephanie Thornton

Rating: ★ ★ ★ ★ ★
Read: November 2, 2014

In the late twelfth century, across the sweeping Mongolian grasslands, brilliant, charismatic Temujin ascends to power, declaring himself the Great, or Genghis, Khan. But it is the women who stand beside him who ensure his triumph... After her mother foretells an ominous future for her, gifted Borte becomes an outsider within her clan. When she seeks comfort in the arms of aristocratic traveler Jamuka, she discovers he is the blood brother of Temujin, the man who agreed to marry her and then abandoned her long before they could wed. Temujin will return and make Borte his queen, yet it will take many women to safeguard his fragile new kingdom. Their daughter, the fierce Alaqai, will ride and shoot an arrow as well as any man. Fatima, an elegant Persian captive, will transform her desire for revenge into an unbreakable loyalty. And Sorkhokhtani, a demure widow, will position her sons to inherit the empire when it begins to fracture from within. In a world lit by fire and ruled by the sword, the tiger queens of Genghis Khan come to depend on one another as they fight and love, scheme and sacrifice, all for the good of their family... and the greatness of the People of the Felt Walls.

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I didn't think much about sitting down with Stephanie Thornton's The Tiger Queens. I flopped on a chair in the living room, figured I'd read while the kids watched their Saturday morning cartoons and life would go on as usual, but that's not what happened. In point of fact, I managed only two pages before realizing I'd grossly underestimated the situation. 

Thornton impressed me with The Secret History and Daughter of the Gods, so my falling in love with The Tiger Queens isn't exactly a surprise, but the prologue alone told me she's outdone herself this time around. Something about that passage struck a chord and teased my imagination in a way I'd not anticipated. I was eager, giddy even, and it was only the beginning.

There is a vividness to Thornton's setting that is virtually unrivaled. I'm hesitant to call it beautiful, her descriptions of life on the steppes are often harsh and unapologetically brutal, but for me that's part of its appeal. There is a relentless intensity about it, an inherent authenticity that jumps from the page and illustrates the forces that shaped Thornton's leading ladies into the women they became.

Four narrators sound like a lot, but here again, Thornton rises to the challenge. Borte, Alaqai, Fatima and Sorkhokhtani are each given their due, but I what I liked is how Thornton used their individual personalities to her advantage. She goes to great lengths to exhibit their various strengths and weaknesses, throws them into situations that are incredibly challenging, but unites them as a sisterhood. Historically these characters are defined by their association with Genghis Khan which is why I loved this portrayal of femininity how it contrasted with his legend and the heavily masculine society in which they lived.

Yes, I sound like a gushing fan girl, but I really don't care. The Tiger Queens is easily one of the best books I've tackled all year and has earned a place of honor among my all-time favs. 

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It was our destiny to love these men, to suffer their burden and shoulder their sorrows, to bring them into this world, red-faced and squalling and tuck their bones into the earth when they abandoned us for the sacred mountains, leaving us behind to fight their wars and protect their Spirit Banners. 
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Check Out All the Stops on Stephanie Thornton's The Tiger Queens: The Women of Genghis Khan Blog Tour Schedule


Saturday, November 1
Interview & Giveaway at Let Them Read Books
Spotlight & Giveaway at Passages to the Past
Sunday, November 2
Monday, November 3
Review & Giveaway at Peeking Between the Pages
Tuesday, November 4
Wednesday, November 5
Review & Giveaway at Broken Teepee
Interview at Flashlight Commentary
Thursday, November 6
Review at The Mad Reviewer
Review & Giveaway at Peeking Between the Pages
Interview at Jorie Loves a Story
Friday, November 7
Review at Scandalous Women
Monday, November 10
Review at Reading the Past
Guest Post & Giveaway at Historical Fiction Connection
Tuesday, November 11
Review & Giveaway at Book Lovers Paradise
Wednesday, November 12
Review at A Bookish Affair
Thursday, November 13
Guest Post & Giveaway at A Bookish Affair
Friday, November 14
Review & Giveaway at The True Book Addict
Monday, November 17
Review at Turning the Pages
Tuesday, November 18
Review & Giveaway at Historical Tapestry
Wednesday, November 19
Review & Giveaway at The Lit Bitch
Interview & Giveaway at Unabridged Chick
Thursday, November 20
Review at Layered Pages
Friday, November 21
Monday, November 24
Spotlight & Giveaway at Reading Lark
Tuesday, November 25
Review & Giveaway at The Maiden’s Court
Wednesday, November 26
Friday, November 28
Review at Book Babe

Monday, November 3, 2014

Guest Post: Who would I play on the big screen ‘The French Executioner’ by C.C. Humphreys

Flashlight Commentary is pleased to host author C.C. Humphreys as a guest contributor and eagerly invite readers to enjoy his original feature, Who would I play on the big screen ‘The French Executioner’?

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Ah, the most tormenting question! And the answer to which has changed over the life of the book. I wrote it thirteen years ago so I was younger, more lithe - had knees! You need knees if you are going to leap around with bladed weaponry. And of course I always foresaw myself as one of the sword wielders, since I was – and sometimes still am – a swordsman.

I never saw myself as Jean Rombaud, the executioner himself. Too dark, too brooding, too… French! Besides – and I suppose this applies to all the main characters – you need stars for the big roles. Originally I wanted perhaps Mel Gibson – now so fallen from grace but a powerful actor. Later – and this is still possible - Javier Bardem.

So leave Jean aside and assume I am a ‘name’… I am half Norwegian but don’t think I am large enough for Haakon. He must be vast. Januc always appealed – the Croatian former Janissary, superb wielder of scimitars, wit. Alas, he should be about 25!

I would love to play Giancarlo Cibo, the Archbishop of Siena. The main villain, the role is an actor’s treat: relishing evil, totally debauched, dying of consumption, he seduces, kills, conducts a Black Mass – marvelous stuff!

However I am probably not great casting. Needs an Italian style actor. Pacino, channeling his inner Richard the Third. No, in the end I would happily settle for a very showy cameo. The one agreed when the novel was originally optioned for screen ten years ago. 

I would play the slave ship’s master, Captain de la Vallerie. He hates slaves, especially their stench, is always clutching a ball of fragrant herbs to his nose… which is so Gallically-large that everyone just calls him Big Nose. He’s a good sailor though, mad in battle, and when he charges his one ship into action to fight three pirates, he wears full black armour – and dances the galliard in it. Now there’s a scene I dream of shooting!

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Chris (C.C.) Humphreys was born in Toronto and grew up in the UK. All four grandparents were actors and since his father was an actor as well, it was inevitable he would follow the bloodline. He has acted all over the world and appeared on stages ranging from London’s West End to Hollywood’s Twentieth Century Fox. Favorite roles have included Hamlet, Caleb the Gladiator in NBC’s Biblical-Roman epic mini-series, ‘AD – Anno Domini’, Clive Parnell in ‘Coronation Street’, and Jack Absolute in Sheridan’s ‘The Rivals’.

Chris has written eight historical novels. The first, ‘The French Executioner’ told the tale of the man who killed Anne Boleyn, was runner up for the CWA Steel Dagger for Thrillers 2002, and has been optioned for the screen. Its sequel was ‘Blood Ties’. Having played Jack Absolute, he stole the character and has written three books on this ‘007 of the 1770’s’ – ‘Jack Absolute’, ‘The Blooding of Jack Absolute’ and ‘Absolute Honour’- short listed for the 2007 Evergreen Prize by the Ontario Library Association, all currently being re-released in the US by Sourcebooks. His novel about the real Dracula, ‘Vlad, The Last Confession’ was a bestseller in Canada and his novel, ‘A Place Called Armageddon’ was recently published in Turkish. All have been published in the UK, Canada, the US and many have been translated in various languages including Russian, Italian, German, Greek, Spanish, Portuguese, Czech, Serbian, Turkish and Indonesian.

He has also written a trilogy for young adults ‘The Runestone Saga’. A heady brew of Norse myth, runic magic, time travel and horror, the first book in the series ‘The Fetch’ was published in North America in July 2006, with the sequel, ‘Vendetta’ in August 2007 and the conclusion, ‘Possession’, August 2008. They are also published in Russia, Greece, Turkey and Indonesia. His latest Young Adult novel ‘The Hunt of the Unicorn’ was released by Knopf in North America in March 2011 and also published in Spain.

His new adult novel ‘Shakespeare’s Rebel’, about William Shakespeare’s fight choreographer at the time of ‘Hamlet’, was released in the UK in March 2013 and in Canada August 2011.

He has recently signed to write two books for Century in the UK and Doubleday in Canada. ‘Plague’ and ‘Fire’ are tales of religious fundamentalist serial killers set against the wild events of 1665 to 1666, London. They will be published in 2014 and 2015.

Chris lives on Salt Spring Island, BC, Canada, with his wife and young son.

Website ❧  Blog ❧  Goodreads ❧  Twitter ❧  Facebook


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PRAISE FOR THE FRENCH EXECUTIONER

"This unusual tale conjures visions of an Errol Flynn-type Hollywood swashbuckler...the tale's well-told, engagingly written, and includes a colorful immersion into a time when life was cheap and danger or death literally waited around every corner. A gory but fascinating...look at the world in the early 16th century. " - Kirkus

"Set against the backdrop of the Protestant Reformation, his superbloody Princess Bride-like adventure is, at its heart, a tale of redemption, well earned and hard-won." - Library Journal

“Humphreys has fashioned a rollicking good yarn that keeps the pages turning from start to finish." -Irish Examiner

"The art of writing historical fiction is to make sure the story holds the modern audience attention and the author has certainly achieved this. I am rating this story five stars for originality, lots of action, an incredible intense plot, dynamic character development and vivid scenery. Love everything about it!" - Layered Pages Review

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It is 1536 and the expert swordsman Jean Rombaud has been brought over from France by Henry VIII to behead his wife, Anne Boleyn. But on the eve of her execution Rombaud swears a vow to the ill-fated queen - to bury her six-fingered hand, symbol of her rumoured witchery, at a sacred crossroads. Yet in a Europe ravaged by religious war, the hand of this infamous Protestant icon is so powerful a relic that many will kill for it... From a battle between slave galleys to a Black Mass in a dungeon, through the hallucinations of St Anthony's Fire to the fortress of an apocalyptic Messiah, Jean seeks to honour his vow.



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Format: Paperback, Audio & eBook
Re-Released: October 7, 2014
Length: 400 pages
ISBN-13: 978-1402272349
Genre: Historical Fiction
Series: The French Executioner



The French Executioner by C.C. Humphreys

Rating: ★ ★ ★ ★ ☆
Obtained from: Author/Agent
Read: October 28, 2014

It is 1536 and the expert swordsman Jean Rombaud has been brought over from France by Henry VIII to behead his wife, Anne Boleyn. But on the eve of her execution Rombaud swears a vow to the ill-fated queen - to bury her six-fingered hand, symbol of her rumoured witchery, at a sacred crossroads. Yet in a Europe ravaged by religious war, the hand of this infamous Protestant icon is so powerful a relic that many will kill for it... From a battle between slave galleys to a Black Mass in a dungeon, through the hallucinations of St Anthony's Fire to the fortress of an apocalyptic Messiah, Jean seeks to honour his vow.

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If you're anything like me, you're looking at the cover of C.C. Humphreys' The French Executioner and stifling a groan. Titles like Wolf Hall, Bring Up the Bodies, To Die For, The Secret Diary of Anne Boleyn, The Lady in the Tower, The Dark Rose, Dark Eyed Queen, The Concubine, The King's Secret Matter, Murder Most Royal, and The Other Boleyn Girl are flashing through your mind and you're seriously questioning if you've the stomach for more.

Pardon my cynicism, but that's where my association with this title started and it would be difficult to appreciate the depth of my admiration without understanding where I stood prior to picking up the book. Anne Boleyn is a fascinating character, but her story has been done to death and frankly, I'd be hard pressed to give a damn about yet another adaption. Thankfully, The French Executioner is not Anne's story, but that of the swordsman who freed England's magisterial monarch of his second wife... or was it her from him? 

To get right to the point, I liked this book and not just because Humphreys re-imagined Anne's execution as a beginning rather than an end. I think his characterization of Jean Rombaud inspired and I found the intrigue he created around her famous appendage intensely provocative. Anne's legacy is forever intertwined with the history of the English Reformation and I love the idea that her earthly remains might have fed the fanatical fires that burned after her death. 

I'll grant there are some gruesome elements to the story and I felt the pacing dragged during the battle scenes, but I've very few complaints overall. The plot itself is fascinating and Humphreys' characters comprise one of the best ensemble casts I've had fortune to come across. Major and minor players have distinctive roles and I loved how Humphreys was able to bring so many different personalities and backgrounds to the table. Supporting figures like Abraham and Da Costa are as memorable as Fugger, Cibo, Beck, Januc and Haakon and that attention to detail made reading this piece a real pleasure. 

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She glanced around at the embarrassed, averted faces. “Why are you all so glum? Do you not know the relief it is to be a woman again after a thousand days of woe as Queen? My head is lighter for the loss of a crown and soon my shoulders will be lighter— ”
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The Sharp Hook of Love: A Novel of Heloise and Abelard by Sherry Jones

Rating: ★ ★ ★ ☆ ☆
Obtained from: Netgalley
Read: October 23, 2014

Among the young women of 12th century Paris, Heloise d’Argenteuil stands apart. Extraordinarily educated and quick-witted, she is being groomed by her uncle to become an abbess in the service of God. But with one encounter, her destiny changes forever. Pierre Abelard, headmaster at the Nôtre Dame Cloister School, is acclaimed as one of the greatest philosophers in France. His controversial reputation only adds to his allure, yet despite the legions of women swooning over his poetry and dashing looks, he is captivated by the brilliant Heloise alone. As their relationship blossoms from a meeting of the minds to a forbidden love affair, both Heloise and Abelard must choose between love, duty, and ambition. Sherry Jones weaves the lovers’ own words into an evocative account of desire and sacrifice. As intimate as it is erotic, as devastating as it is beautiful, The Sharp Hook of Love is a poignant, tender tribute to one of history’s greatest romances, and to love’s power to transform and endure.

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Sherry Jones' The Sharp Hook of Love needs no introduction. Seriously folks, this book is all over the net and I'm not sure that's a good thing. Overexposure nearly caused me to burn out before I'd started the first page and though Gallery Books kindly provided me an advanced edition for review, I'd seen so much of the piece that I honestly considered declining to offer commentary altogether. The exceedingly aggressive promotional campaign launched over social media left such a bad taste in my mouth that I allowed the book to languish on my shelf for weeks before reluctantly tackling the narrative and even then, I wasn't exactly enthusiastic about my prospects.

In the end, I didn't have to fight to finish and that's always a good sign, but if I'm honest, I'm no more excited now than I was before I cracked open the book. On one hand, I enjoyed discovering the subject matter. On the other, I felt the execution lacking in several places and wish the underlying themes had been more clearly developed and defined over the course of the story. 

Atmospherically, I had hoped The Sharp Hook of Love would open a window to twelfth century France, a means by which to visualize the hustle and bustle of her streets and appreciate the rhythms that characterized life in her cities, but that desire went unfulfilled. Don't misunderstand, Jones can be quite eloquent in her descriptions, she simply spends more time going on about Abelard's devouring mouth and probing fingers than she does the world her characters inhabit. 

In writing solely from Heloise's perspective, Jones left Abelard's motivations up to interpretation and I think that decision really undermined her efforts to develop him as a romantic hero and hindered the authenticity of the feelings he bore his lady. It is abundantly clear that Heloise is blinded by love for her roguish theologian, but there is such ambiguity in her partner's character and aspirations that I couldn't give credit to the romance the two were supposed to have shared.

I had similar difficulty understanding Heloise. Jones repeatedly states her heroine is renowned for her academic achievements, but the reader is so rarely afforded insight to that facet of her character that I found the claim difficult to accept. For chapters at a time, she thinks of Abelard with a single-mindedness that speaks more to naive infatuation than intended sacrifice, a fact which made in hard to believe she was capable of dedicated study or rational decisioning.

Bottom line, I think The Sharp Hook of Love could be a stronger piece, but I'm not unhappy with the time I spent reading it. Jones exposed me to a new chapter of history and despite my lukewarm assessment of the story, I was impressed with her tone and look forward to reading her again in the future. 

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My heart’s beat faltered. His broad smile beckoned; his bold gaze dared me to refuse. Something shifted inside me, like the turning of a key in a lock. For a moment, I forgot everything I had ever known: the books I had read, the secrets I kept, my destiny that no one could alter. I would be no one’s prize. Yet his smile shone like light across my face, pulling up the corners of my mouth, softening my eyes.
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